Spanning multiple feet in each direction, these giant-sized photo prints transform the light and color of ordinary sunset scenes, reflecting them through a chaotic lens of unpredictable distortions.

Bing Wright, a New York photographer, exhibited this series of abstract stained-glass-like landscapes of water, trees, clouds and sky earlier this year at the Paula Cooper Gallery.

Titled Broken Mirror /Evening Sky, the set represents a break from his black-and-white work of the past decade, dealing with issues of “depth of field, scale, surface and materiality” and of course: color.

The result is a disjointed set of overlapping refractions and out-of-focus subjects that our mind then works to piece back together, and which compels us to consider the color before completely comprehending the composition.

About the artist: “Bing Wright was born in Seattle in 1958 and received a Bachelor of Arts in Art History from Columbia University, New York. His work been shown in exhibitions at the New Museum, New York; White Columns, New York; the Queens Museum of Art, New York; and the Tang Museum and Art Gallery, Saratoga Springs, among others.”