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	<title>WebUrbanist  Scratching the Surface: Expressive Portraits Chip Away at City Walls | Urbanist</title>
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        <title>Scratching the Surface: Expressive Portraits Chip Away at City Walls</title>
        <link>https://weburbanist.com/2016/09/07/scratching-the-surface-expressive-portraits-chip-away-at-city-walls/</link>
		<comments>https://weburbanist.com/2016/09/07/scratching-the-surface-expressive-portraits-chip-away-at-city-walls/#respond</comments>
		<pubDate>Thu, 08 Sep 2016 01:00:09 +0000</pubDate>
		<dc:creator>SA Rogers</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Street Art & Graffiti]]></category>
		<category><![CDATA[Murals]]></category>
		<category><![CDATA[portraits]]></category>
		<category><![CDATA[scratch]]></category>
		<category><![CDATA[street art]]></category>
		<category><![CDATA[urban art]]></category>
		<category><![CDATA[urban murals]]></category>

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		<description><![CDATA[Set in neglected parts of the city, scratched into deteriorating surfaces, expressive portraits loom large, often created with nothing more than a chisel. Alexandre Farto, better known as Vhils, creates art through destruction in a process some might consider vandalism &#8211; but this is street art, so what else is new? Vhils first caught the <a href="https://weburbanist.com/2016/09/07/scratching-the-surface-expressive-portraits-chip-away-at-city-walls/">&#8230;</a>]]></description>
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<p>Set in neglected parts of the city, scratched into deteriorating surfaces, expressive portraits loom large, often created with nothing more than a chisel. Alexandre Farto, better known as <a href="http://vhils.com">Vhils</a>, creates art through destruction in a process some might consider vandalism &ndash; but this is street art, so what else is new? Vhils first caught the public eye when one of his portraits appeared beside a work by Banksy at London&rsquo;s Cans Festival in 2008, and since then, he&rsquo;s been taking his work to the next level.</p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-1-960x640.jpg"><img fetchpriority="high" decoding="async" src="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-1-960x640.jpg" alt="vhils scratched mural 1" width="960" height="640" class="first-image img-responsive"></a></p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-2-960x640.jpg"><img decoding="async" src="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-2-644x429.jpg" alt="vhils scratched mural 2" width="644" height="429" class="alignnone size-wide644 wp-image-96203"></a></p>
<p>The portraits splash the faces of anonymous city residents onto concrete, brick, plaster and other surfaces on buildings and walls throughout the world, particularly in the artist&rsquo;s home city of Lisbon, Portugal. Nobody else is creating large-scale urban artwork quite like this. </p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-5-960x640.jpg"><img decoding="async" src="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-5-644x429.jpg" alt="vhils scratched mural 5" width="644" height="429" class="alignnone size-wide644 wp-image-96201"></a></p>
<p>The process literally cuts through the outermost layers of wall surface, often utilizing scraps of faded billboards to provide contrast with the rougher surfaces hidden underneath. Sometimes, a little bit of paint is strategically used to highlight the image. Some of the works are even applied on top of much older murals completed way back in the &lsquo;70s and &lsquo;80s after the <a href="https://en.wikipedia.org/wiki/Carnation_Revolution">Carnation Revolution</a>, as if the remains of the older ones are fertilizing new growth.</p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-6-960x574.jpg"><img loading="lazy" decoding="async" src="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-6-644x385.jpg" alt="vhils scratched mural 6" width="644" height="385" class="alignnone size-wide644 wp-image-96200"></a></p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-7-960x720.jpg"><img loading="lazy" decoding="async" src="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-7-644x483.jpg" alt="vhils scratched mural 7" width="644" height="483" class="alignnone size-wide644 wp-image-96199"></a></p>
<p>&ldquo;As a kid, I remember seeing how these murals would peel,&rdquo; says Vhils <a href="http://www.theatlantic.com/entertainment/archive/2011/12/how-street-artist-vhils-creates-a-mural/250612/">in an interview with The Atlantic</a>. &ldquo;I started thinking about how my work could use the layers of the past to reflect the city, to show people living in it and how their identity was lost, or forgotten. I started to paint these billboards white, then carve away the negative spaces. It&rsquo;s not illegal, because that sort of advertising was illegal already. Carving these walls, peeling away these layers, it&rsquo;s like contemporary archaeology.&rdquo;</p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-9-960x640.jpg"><img loading="lazy" decoding="async" src="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-9-644x429.jpg" alt="vhils scratched mural 9" width="644" height="429" class="alignnone size-wide644 wp-image-96197"></a></p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-8-960x640.jpg"><img loading="lazy" decoding="async" src="https://weburbanist.com/wp-content/uploads/2016/09/vhils-scratched-mural-8-644x429.jpg" alt="vhils scratched mural 8" width="644" height="429" class="alignnone size-wide644 wp-image-96198"></a></p>
<p></p><div class="video-box"><iframe type="text/html" src="http://www.youtube.com/embed/u7BbYLpKRxc?rel=0" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></div>
<p>Vhils divides the images into three colors to create a three-dimensional effect, scratching out the darkest parts of the portraits and highlighting the lightest. Electric drills and chisels make the process easier on hard walls, and in one extreme example, the artist even used explosives to break away some of the plaster, capturing the process for a music video called M.I.R.I.A.M. <a href="https://www.instagram.com/vhils/">Follow Vhils on Instagram to catch his latest works.</a></p>
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        <span style="float:left; margin-left: 10px;">[ By <a href='http://weburbanist.com/steph/?utm_source=Mozilla%2F5.0+AppleWebKit%2F537.36+%28KHTML%2C+like+Gecko%3B+compatible%3B+ClaudeBot%2F1.0%3B+%2Bclaudebot%40anthropic.com%29&utm_medium=feed&utm_campaign=feed-main-2016-09-07-scratching-the-surface-expressive-portraits-chip-away-at-city-walls&utm_content=unknown&utm_term=feed-author-footer'>SA Rogers</a> in <a href="https://weburbanist.com/category/urban-art/" rel="category tag">Art</a> &amp; <a href="https://weburbanist.com/category/urban-art/street-art-graffiti/" rel="category tag">Street Art &amp; Graffiti</a>. ]</span>

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