All of the stereotypes associated with the architectural profession and its stars, real and exaggerated, are about to be revealed in an hour-and-a-half movie starring Parker Posey (wife), Eric McCormack (husband), John Carroll Lynch (builder) and James Frain (architect).

Directed by Jonathan Parker, the The Architect‘s trailer gives you a taste of what is to come: “Often the opinion of the client must be disregarded for his own good,” says starchitect Miles Moss (Frain). “Less is only more when more is no good” (a satirical nod to Mies van der Rohe).

The story revolves around a couple that buy a tear-down house and decide to build from scratch. They spot a dwelling they like and hunt down the architect to design their dream home. It quickly becomes clear, however, that their dreams will be replaced by those of the architect, or at best: rendered in concrete, glass and steel. The wife (Posey) may also be having second thoughts about her choice of partner. Architects and architecture often take a back seat to the main story in films (see: Sleepless in Seattle), but in this picture, for better or worse, the profession is the center of attention.

As the story progresses, the architect’s masterful creation meets resistance, his impractical semi-circular spaces making for a tough sell (at least to the husband). “I don’t know why people hire architects, and then tell them what to do,” Moss wonders aloud, frustrated with his clients. Like this one, many of his lines clearly refer to quotes from famous architects both contemporary (e.g. Frank Gehry) and historical (e.g. Le Corbusier).

“These are the sleeping spaces” says the architect, pointing at the plan (“You mean bedrooms?” the husband replies) — “You could call them that” he admits, his voice dripping with superiority (architects are somewhat notorious for giving things overly-fancy names). The movie hits on movements from Modernism through Deconstructivism, wrapping them in the comedic story of a troubled couple. Love it or hate it, relate or disagree, this is a must-watch movie for fans as well as critics of the profession.

We crave celebrity. We obsess over the minutia of celebrity lives, watch every movie of our favorite actors, and buy every endorsed product they throw their smiles behind. With celebrity so consumed by our culture, it’s time for guerilla artists to turn this national pastime on its head. The underground counter culture movement revels in twisting the consumerist culture, and celebrity graffiti, with all of its wackiness, finally turns those celebrity eyes on us.

(Images via lostateminor, fust360, fust360)

MTO is a master of realistic celebrity portraits, and his work brings characters into dirty urban environments that couldn’t be further from our carefully orchestrated silver screen. Placing a famous character out of context makes their surreal nature incredibly apparent. When we realize the oddness of idolizing the character staring at us from the wall of an abandoned building, the artist’s mission is complete.

(Images via shankbone, beccabot, tzero)

Stenciled celebrities aren’t the most graphically satisfying, but they can pop up anywhere, and in numbers that make us acutely aware of how much they permeate our lives. A quickly airbrushed image can strike to the core of our need for celebrity wherever we look.

(Images via brooklynstreetart, globalgraphica, blissinimages, romeandiwantto)

The ladies of Hollywood are particularly favorite icons, and the faces of leading women like Audrey Hepburn and Marilyn Monroe have become pervasive symbols of the hollywood high life, and as a consequence, are equally favorite subjects of underground artists.

(Images via londonist, thephoenix, indymedia)

Musicians are better known for their sound than their image, but even their faces are instantly recognizable. When we notice a musician’s face on the side of a building, the fact that we recognize them is jarring in itself.

(Images via animalnewyork, today, story)

Michael Jackson has always been plastered across the media, and his portrait has become even more popular after his tragic death. Michael Jackson’s interesting life has lead to an even stranger existence in graffiti on urban walls. His unique visage peering at us from the side of an alley is a reflective one.

(Images via globalgraphica, focusonstyle)

A fantastic twist on Andy Warhol’s famous Marilyn Monroe work has become a popular counter culture commentary on celebrity; it morphs other iconic faces into an odd mix as if we fit every celebrity into the same mold, until they all become freakish and eerily similar.

(Images via techeblog, puregraffiti, planetvideo, desktopnexus)

Film characters have just as much, if not more, power than the actors that play them, which makes it that much stranger when a seemingly immortal character is plastered to the side of a brick wall, with slight, wacky adjustments that make their lack of context even more unusual. Creative license enables underground artists to create an uncomfortable rift between the reality and unreality of our pervasive celebrity culture.