An amazing hybrid of preservation and transformation, this project involves carving a series stunning spaces inside a huge series of concrete silos set alongside the waterfront of Cape Town. Once the tallest structure in the city, but abandoned since 1990, this converted complex will provide a home for 80 art galleries and create a hub for cultural activity.

The spatial solution proposed by Thomas Heatherwick Studio involves scooping out huge voids within the existing industrial heritage site. This approach in turn exposes visitors to the tubular interiors of the silos via a newly-formed atrium while conserving much of the original building exterior. Meanwhile, below the surface, a series of re-purposed underground tunnels and storage spaces will provide additional access to the architectural history of the complex.

The non-profit endeavor will exhibit contemporary African art via indoor galleries as well as a rooftop sculpture garden, bookstore, restaurant, bar and more. THS will be working on the Zeitz MoCAA (founded with the collection of entrepreneur Jochen Zeitz) with a series of local partners including Ven Der Merwe Miszewski (VDMMA), Rick Brown Associates (RBA) and Jacobs Parker.

In an interview with DesignBoom, he architect sough to ask and answer the critical quesiton: “How do you turn forty-two vertical concrete tubes into a place to experience contemporary culture? Our thoughts wrestled with the extraordinary physical facts of the building. There is no large open space within the densely packed tubes and it is not possible to experience these volumes from inside. Rather than strip out the evidence of the building’s industrial heritage, we wanted to find a way to enjoy and celebrate it. We could either fight a building made of concrete tubes or enjoy its tube-iness.”

Of the project, David Green (CEO of the V&A Waterfront) said: “thomas heatherwick understood how to interpret the industrial narrative of the building, and this was the major breakthrough. His design respects the heritage of the building while bringing iconic design and purpose to the building.”

Regarding the search for a perfect site, Jochen Zeitz explains that “for five years we investigated suitable sites across Africa. The V&A waterfront provided an iconic heritage building, situated in one of the most visited and iconic sites in [the country].” Meanwhile, all of the existing silos will be capped with glass to let in light and show off their shape from above.

Donated boxes of right-sized clothing can be a boon for those who cannot afford another choice, but this clever approach empowers people in need to choose their own apparel.

The Street Store assistants set out flat-pack cardboard hangars, signs and stands along sidewalks and fences, encouraging people to drop off clothing. Volunteers also help passerby in need package what what they find, and those with something to give find a place to put their donations.

Though the project was started in Cape Town, South Africa, as a collaboration between M&C Saatchi Abel and the Haven Night Shelter Welfare Organisation, it is offered as open-source to applicants from around the world who wish to use the files and create their own  regional variant.

The open-air approach makes everything more accessible for both donating and recipient parties; it also renders indoor spaces and infrastructure redundant, enabling pop-ups to happen in various public spaces.

As for the first day’s effort in the project’s original city: “Over 1,000 homeless people visited our store that day. Each put together an outfit that they wanted. An outfit, that for many, was the first they had ever been able to choose for themselves.”