What would architecture look like if it had no beginning or end, no ground floor as starting point nor rooftop terminus? Artist Vasco Mourao explores exactly that question in his series Ouroboros, so named after the mythical dragon/serpent forever eating its own tail.

The Barcelona-based artist (an architect by training) illustrates his impossible-sounding seems on curved and angular cuts of plywood shaped into loops.

His work indirectly addresses a key transition point in the history of architecture as well — a time when concrete, steel and glass were first combined to make taller structure possible but before the Modernists rendered these buildings sleek and simple.

Like early skyscrapers (featuring stretched Gothic decor and wood-inspired details), his designs extrapolate conventional materials and decorative approaches skyward. Their aesthetic is also reminiscent of places like Kowloon Walled City, where densification drove particularly strange connections between different structures.

Meanwhile, Mourao also draws other cityscapes on different surfaces as well, from large-scale surrealistic murals to the bottoms of skateboards, often reprising similar themes of infinity-evoking architecture.

Designed to be suspended below Chicago’s elevated rail system, hovering above cars and pedestrians, this 5,000-tube neon lighting installation aims to bring bright colors to drab railway tracks, using illumination to bridge the dark gap formed by overhead infrastructure.

A set of elevated rails forming a rounded rectangle in the heart of the city, the Chicago Loop defines the downtown experience. Physically, visually and audibly, this nexus of sometimes-subway lines creates a circuit of transit over and under which vast numbers of people travel each and every day. Despite its centrality and functionality, the Loop has little presence in terms of the city’s public image, at least it until The Wabash Lights came along.

The main aim is to activate this shady pseudo-circular zone, turning it from an ignored void into a enjoyed space. The first phase of the project has already been successfully funded on Kickstarter and the next step will be a limited-scale test implementation of the technology. The lights are highly programmable and infinitely customizable, able to cycle through sets of colors and form complex patterns.

It is hard to avoid drawing a comparison with another highly-visible and quite popular neon project in Chicago, namely: the neon light tunnel (Sky’s the Limit by Michael Hayden) connecting Concourses B and C at Terminal 1 in the O’Hare International Aiport, “a mile-long kinetic light sculpture composed of 466 neon tubes [reflected from above by] 23,600 square feet of mirror.”

The duo behind the idea, Seth Unger and Jack C. Newell, are well-suited to the endeavor, with backgrounds in design, branding and creative strategy on the one hand, filmmaking and public art on the other. Together, they are looking to involve citizens from start to finish, looking to them for feedback as well as funding.

More on the project from its creators, using “LED light tubes to transform an iconic piece of Chicago infrastructure into a canvas for a dynamic, interactive experience, serving as a catalyst for a re-energized Wabash Avenue. Working with the Chicago Transit Authority, Chicago Department of Transportation, and City Government, we have received approval to install a small section of lights on the Wabash Ave tracks to troubleshoot design, interactivity, and test how vibration from the “L”, temperature changes, and the wear and tear of the city affect our hardware.” (Hat tip to Chris B and James B).

With compelling attention to depth, detail and movement, French photographer Julien Douvier uses cinemagraphic techniques to capture everything from fleeting moments to frustrating routines that define life in bustling contemporary cities.

Working both in black-and-white as well as color, depending on what he is trying to depict, many of his works are simple loops of short time periods – typical cinemagraphs – but others go beyond that basic typology, too.

In his Routine series, for instance, individuals are looped but also overlaid in multiples within the frame, creating a sense of infinite or endless repetition – in other sets (examples shown below) he utilizes transparency, nature and reflections to enrich each frame.

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City Cinemagraphy Animated Photographs Of Urban Motion

An unlikely and unique collaboration is in the works between an architect, an inventor and a mathematician-plus-artist to produce a first-of-its-kind printed house in a single shot using cutting-edge 3D construction technologies.

Janjaap Ruijssenaars of Universe Architecture has teamed up with, Enrico Dini, the developer of D-Shape, with help from Rinus Roelofs to design and implement a looping wonder home made of a kind of concrete. It will use sand as the primary aggregate, and be based on huge panels (nearly 20 by 30 feet) with infill.

This connected-panel system will be three-dimensionally complex – incredibly difficult for normal manufacturing processes, and consequently an amazing illustration of the potential of 3D printing for architectural applications. The Möbius strip shape, suggesting infinite possibility, seems an apt one for the project.