Strands of gold fill the cracks of this apartment in Kyoto, replicating in architecture a longstanding tradition of repairing pottery in a way that tells a true history of its use and reconstruction. Mixed with resin, glittering gold dust sparkles against adjacent surfaces.

Kintsugi, which translates as “to repair with gold,” is a philosophy as much as an artistic approach. It reflects the idea that breakage and reassembly is part of the life of an object. In this case, the cracks that almost invariably form in concrete were repaired in the same fashion.

When Kintsugi was first employed centuries ago by a Japanese shogun, others were so enamored with the effects that, as the story goes, they began breaking their own pottery just to have an excuse to patch it back together with gold-laced lacquer.

In this case as with pottery artifacts, the effect is dazzling. Cracks stand out as something intentional, artistic and organic rather than shied away from as simply damaged. Spearheaded by architecture studio Tank, this may in turn also become more of a bigger trend, if only in Japan.

“The Japanese have traditionally repaired broken ceramics by gluing fragments together with lacquer and gilding the seams with gold powder to enjoy the beauty of imperfection,” said TANK. “Using traditional mortar, we emulated the art of Kintsugi in the living room by joining the cracks, thus transforming what was considered imperfect into a subject of beauty.”

Meanwhile, the winding gold cracks form part of a larger puzzle, elegantly juxtaposed against raw ceilings and reflected in a series of mirrored doors. The overall effect is minimalist, but with materials and textures adding life through creative details. Depending on the time of day and type of light, the gold blends in or stands out as lighter (or darker) against cementitious surrounding surfaces.

While Cappadocia, Turkey may be best known for its incredible cave homes, there are other wonders hiding in the historic region. One of the quirkiest is the bizarre Avanos Hair Museum: a small cave containing hair samples, names and addresses from more than 16,000 women from all around the world.

The hair museum was founded by Chez Galip, a talented potter in Avanos. Although there are conflicting stories about where the idea came from, Galip’s own website states that the museum was simply meant as a promotion to increase enrollment in his pottery workshops. It seems much nicer to believe the legend: Galip’s friend was moving far away and left him a lock of hair to remind him of her, then subsequent visitors began leaving locks of hair to remind the potter of them as well.

Since the first lock of hair went up in 1979, women of every description and from every corner of the world have willingly snipped off pieces of hair to leave in Galip’s cave. Each one carefully inscribes her name and address on a piece of paper before taping the hair and paper to the cave ceiling or wall. The surfaces of the cave are covered in dangling hairs of all colors and many different lengths.

The purpose of the addresses is to give Galip a way to contact his former visitors. Once a year, ten of the hair samples are chosen at random. The women to whom they once belonged are invited to come back to Galip’s studio for a pottery workshop and a stay in his traditional guest house – all free of charge.

(all images via: Oddity Central)

Visitors to the cave are not required to leave a sample of hair, but Galip provides all of the materials necessary for those who wish to leave a little piece of themselves behind. What reportedly began as a promotional stunt has evolved into a weirdly compelling display – whether that display is of generosity, a great sense of humor or something else entirely is up to the viewer to decide.