With his own skin as his canvas and needles as his tools, artist David Cata demands a pound of flesh from himself in return for his creative expression. That is to say, each individual piece takes a toll that may require a healing period before he can begin another – something that can’t be said about most other kinds of artistic media. Previously known for embroidering photographs of his family members onto his palms, Catá now turns to scenery and still life as his subjects of choice.

But don’t worry, it isn’t too painful, and only barely draws blood. Working just on the surface with the layer of skin that’s mostly dead and easy to pierce, Catá typically ‘sketches’ whatever’s right in front of him, whether that’s the sleeping figure of a woman in bed, photos of his relatives, a snowy landscape or – as in the case of his most recent piece, Horizonte 07. La Musicá – the keys of a piano. He has also sewn tiny pockets for soil into his skin to support seedlings.

The artist leaves his works in place for mere minutes, recording their creation or photographing the results before ripping out the stitches. He says the resulting ‘tracks’ stay on his body for about four weeks. In an interview with Citizen Brooklyn, he said, “Somehow, all of the portraits I’ve done are permanently living on me, even if they are not visible. Each print is latent on my body. But, if I had to pick one, I’d keep my great-grandmother Perpetua’s portrait.”

This ain’t your grandmother’s cross-stitched bible verses. Contemporary artists exploit, subvert and otherwise manipulate the traditional craft of embroidery with hyperealistic portraits, surreal seemingly LSD-induced additions to old photos or pretty flowers added to actual x-rays. Some even use bread – or their own skin – as the canvas for their threaded creations.

Family Portraits Sewn into the Palm of an Artist’s Hand

Combining visual and performance art, David Cata sews portraits of his family members into the palm of his own hand, poking the thread through the topmost layer of skin. The series symbolizes people who have ‘left their mark’ on the artist’s life, just as the portraits leave their mark on his skin. “Their lives have been interwoven with mine to build my history, every moment lived stays in the memory to finally be forgotten. Somehow, this fact is painful, since there are only material things and traces that people leave behind.”

Traditional Temari Spheres by 88-Year-Old Grandmother

Flickr user NanaAkua shares photos of the 500-odd, incredibly intricate temari spheres embroidered by her 88-year-old grandmother. Temari balls are a form of Japanese folk art (of Chinese origin), often made from the thread of old kimonos and given as gifts to children on New Year’s Day.

Bear Sculptures Embroidered with Anatomy

Bears are seemingly turned inside-out with embroidery of their anatomy in stunning lifelike sculpture by Deborah Simon. Measuring about two feet square, the sculptures reveal internal organs, musculature, skeletons and nerves. The series highlights how human desire for their pelts puts these majestic creatures in danger. “Bears are the ultimate stuffed animals; both the iconic plush toy and the prized taxidermy specimen for hunters,” says Simon. “Most of the sculptures deal with vulnerability; the vulnerability that the animals face from environmental degradation, conflicts with people, suburban sprawl and poaching. I particularly find the dichotomy between the defanged, declawed childhood toy and the fierce reality of a top predator fascinating.”

Embroidered Flesh by Eliza Bennet

David Cata isn’t the only artist using the thick, relatively bloodless skin of his palms as a surface for embroidery. Eliza Bennet uses a similar method, but her work invokes more of a visceral reaction of disgust for its visual mimicry of wounds. The idea is to highlight the idea of embroidery being women’s work, and women’s work being ‘easy.’ Bennet notes that many low-paid jobs typically aligned with women, like cleaning, caring and catering, can be difficult and labor-intensive. “Through a personally charged perception, I explore a range of issues relating to the formlessness of both individual and social reality,” she says.

Embroidered X-Rays by Matthew Cox

Traditional embroidery is juxtaposed with plastic x-ray film in this series by Matthew Cox, superimposing images of vivid life on top of the stark white-bones-on-black. Fleshy hands hold flowers, or reach up toward the sky.

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By A Thread 31 Excellent Works Of Embroidered Art

Gabriel Dawe is a mixed media artist who loves using textiles in new and interesting ways, creating cascades of color that are reminiscent of his childhood in Mexico. Gabriel’s use of thread shows that exceptionally intricate designs can emerge from incredibly limited and unexpected materials.

(Images via gabrieldawe, sweet-station, thefoxisblack, scene360, sweet-station)

Many of Gabriel Dawes’ exhibits only utilize thread, wood, and nails in order to create walls of color. The open space between the threads causes a gorgeous blending effect that changes depending on the angle with which the exhibition is viewed.

(Images via utdallas, weareprettybeautiful, evewithoutadam, blackmaths, welcometohr)

These images give a better indication of how many threads Gabriel uses to achieve the subtle blending from one color to another. Each thread is placed carefully, creating a piece that can be appreciated far away and close up.

(Images via svrta, weareprettybeautiful, ajani, creativityjournal, hubmagazine)

One of the most interesting aspects of Gabriel’s exhibits are the differences one sees depending on perspective. The piece has an incredible depth if looked at head on, and becomes a pretty spectrum of color when viewed from the side.

(Images via fossil, assemblyline-collective, byczek, haft2)

Few artists would think to construct their carefully crafted art out of nothing but thread, but Gabriel is proving that creativity can stem from any material.