If you’re a fully-grown adult wishing you could still dive into ball pits or play with marble runs, design duo Snarkitecture makes it possible and cool to do so with their stark, surreal all-white installations. You’re not being immature, you’re taking part in an artistic process! The Brooklyn-based artists are best known for experimental environments investigating the unknown within architecture, often making use of unexpected materials like inflatable tubes and stiff white foam. Here are 9 of their most playful projects.

Ball Pit

The National Building Museum in Washington D.C. has been transformed into a ‘beach’ with the addition of nearly 1 million recyclable translucent plastic balls. Visitors are invited to dive into the 10,000-square-foot installation, which “encourages exploration and interaction with one’s surroundings, and offers an unexpected and memorable landscape for visitors to relax and socialize within.” White beach chairs and umbrellas line the ‘shore,’ offering a vantage point from which to observe adults frolicking like 5-year-olds in a McDonald’s playground. The installation will remain in place until September 7th, 2015.

Dig

Armed with helmets, chisels and pick axes, Snarkitecture dug their way through a solid block of architectural foam from inside the Storefront for Art and Architecture at the entrance of the Design Miami Pavilion in 2012. A combination of installation art and performance, the project had visitors watching the designer duo as they excavated a network of tunnels and inhabited them for a month in a sort of human ant farm. “Dig was an experiment between the precision of the architectural plan and the looseness of the unknown,” say the designers. “The installation and performance explored the intersection of primitivism and contemporary architecture; the complexity of the final surfaces and form suggested a digital origin and concealed the simplicity of a space made entirely by hand.”

Parking Garage Air Ball

1111 Lincoln Road, an ultramodern parking garage by Swiss architecture firm Herzog de Meuron, became the setting for a high-design game of airball with an installation by Snarkitecture and fashion retailer Alchemist. Titled AIRBALL, the interactive installation is “a custom environment designed by Snarkitecture that draws on familiar objects and materials from the visual and spatial world of basketball, while interpreting them through a unique and creative lens.” Visitors to the all-white arena located on level 5 of the car park could compete side-by-side while looking out over the Miami skyline.

Cave

COS stores collaborated with Snarkitecture to create a surreal cavern sculpted from thousands of paper-thin fabric sheets at Milan Design Week. Hung from the ceiling at various heights, the strips create a luminescent chamber echoing the aesthetics of the fashion brand’s Spring/Summer 2015 collection, drawing visitors in from street level and transporting them to an intimate showroom. Navigating the small hollows within the dangling fabric was a sort of adventure, a pause between the chaos of the external world and the soothing retail space. 

Drift

Hundreds of sausage-like inflatable tubes were sandwiched within a light metal frame to create an undulating temporary space for Snarkitecture’s ‘Drift’ pavilion at Design Miami 2012. Echoing the materials used for the tent itself, the vinyl tubes dripped down from overhead like man-made stalactites to create an interactive and contemplative environment filled with filtered light and punctuated with occasional views of the Miami sky. “The rising landscape becomes a beacon for visitors approaching Design Miami/ while the excavated cavern presents a moment of exploration before entering the fair.”

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Snarkitecture 9 Fun Installations Pop Up Shop Designs

Crisp and clean, ‘House R‘ by architecture studio Bembé Dellinger looks right at home in the snowy winter landscape of Schondorf, Germany. Perched on the edge of Lake Ammersee, the multi-story cantilevered home provides elevated views of the surrounding land through floor-to-ceiling windows.

The glass walls blur the distinction between indoors and out, and flood the interior with natural daylight. Inside, large expanses of white are punctuated by 380 clear acrylic cylinders, which provide subtle points of illumination.

The interior is characterized by lots of blocky built-in surfaces and niches, like a wall of display shelves and a bathtub open to the main room. Black framing around the windows and a light wood floor break up what would otherwise be an entirely monochromatic indoor space.

Angular white designs are a recurring theme in the architecture studio’s portfolio. Placing many of these modern structures outside large cities, Bembé Dellinger creates homes that represent a notable shift away from the suburban archetype of the past half-century.