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	<title>WebUrbanist  The Apprehension Engine: Machine Makes Disturbing Horror Movie Music | Urbanist</title>
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        <title>The Apprehension Engine: Machine Makes Disturbing Horror Movie Music</title>
        <link>https://weburbanist.com/2017/07/10/the-apprehension-engine-machine-makes-disturbing-horror-movie-music/</link>
		<comments>https://weburbanist.com/2017/07/10/the-apprehension-engine-machine-makes-disturbing-horror-movie-music/#comments</comments>
		<pubDate>Tue, 11 Jul 2017 01:00:33 +0000</pubDate>
		<dc:creator>SA Rogers</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Products & Packaging]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[musical instruments]]></category>
		<category><![CDATA[sound effects]]></category>
		<category><![CDATA[sound engineer]]></category>

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		<description><![CDATA[Is this the most terrifying musical instrument ever made? If you just take a quick glance at it, you&#8217;ll likely say no &#8211; it&#8217;s an unassuming (albeit rather strange) jumble of strings, rods, reverbs and metal rulers attached to a boxy wooden base. But just you wait until composer Mark Coven, whose work includes the <a href="https://weburbanist.com/2017/07/10/the-apprehension-engine-machine-makes-disturbing-horror-movie-music/">&#8230;</a>]]></description>
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    [ By <a href='http://weburbanist.com/steph/?utm_source=Mozilla%2F5.0+%28Windows+NT+10.0%3B+Win64%3B+x64%29+AppleWebKit%2F537.36+%28KHTML%2C+like+Gecko%29+Chrome%2F103.0.0.0+Safari%2F537.36&utm_medium=feed&utm_campaign=feed-main-2017-07-10-the-apprehension-engine-machine-makes-disturbing-horror-movie-music&utm_content=unknown&utm_term=feed-author'>SA Rogers</a> in <a href="https://weburbanist.com/category/design/" rel="category tag">Design</a> &amp; <a href="https://weburbanist.com/category/design/products-packaging/" rel="category tag">Products &amp; Packaging</a>. ]

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<html><body><p class="p1"><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2017/07/apprehension-engine.jpg"><img fetchpriority="high" decoding="async" class="first-image img-responsive" src="https://weburbanist.com/wp-content/uploads/2017/07/apprehension-engine.jpg" alt="" width="940" height="529"></a></p>
<div id="urb-ads-toc-box" class="post-ads-toc-box urb-ads-toc" style="display:none;"></div><p class="p1">Is this the most terrifying musical instrument ever made? If you just take a quick glance at it, you&rsquo;ll likely say no &ndash; it&rsquo;s an unassuming (albeit rather strange) jumble of strings, rods, reverbs and metal rulers attached to a boxy wooden base. But just you wait until composer <a href="http://www.markkorven.com/">Mark Coven</a>, whose work includes the stunning score for the 2016 horror film The Witch, sits down at it and starts to play. The sounds that emerge from the &lsquo;Apprehension Engine&rsquo; are designed to give you the creeps, and they&rsquo;re quite effective.</p>
<p class="p1"><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2017/07/apprehension-engine-3-960x640.jpg"><img decoding="async" class="alignnone size-wide644 wp-image-105213" src="https://weburbanist.com/wp-content/uploads/2017/07/apprehension-engine-3-644x429.jpg" alt="" width="644" height="429"></a></p>
<p class="p1"></p><div class="video-box"><iframe type="text/html" src="http://www.youtube.com/embed/&lt;a%20href=%22https://www.youtube.com/watch?v=1lTYPvArbGo%22&gt;1lTYPvArbGo&lt;/a&gt;?rel=0" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></div>
<p class="p1">Korven, who has scored a number of feature films over the years, was sick of using the same old digital samples to get the signature scraping, creaking, squealing and rumbling sounds that help provide a hair-raising atmosphere. The world of creating analog sound effects in audio post-production is pretty fascinating, and foley artists use all sorts of weird objects to create many of the sounds you hear in an average movie or TV show.</p>
<p class="p1"><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2017/07/apprehension-engine-2-960x540.jpg"><img decoding="async" class="alignnone size-wide644 wp-image-105214" src="https://weburbanist.com/wp-content/uploads/2017/07/apprehension-engine-2-644x362.jpg" alt="" width="644" height="362"></a></p>
<p class="p1"></p><div class="video-box"><iframe type="text/html" src="http://player.vimeo.com/video/&lt;a%20href=%22https://vimeo.com/184366394%22&gt;184366394&lt;/a&gt;" allowfullscreen frameborder="0"></iframe></div>
<p class="p1">But Korven wanted something very specific, all together in a single instrument, so he turned to his friend Tony Duggan-Smith, a guitar maker, to help him craft it. In this video, Korven demonstrates to Great Big Story how the Apprehension Engine works as he plucks, wiggles, flicks, thumps and runs a bow across the various objects connected to the instrument.</p>
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        <span style="float:left; margin-left: 10px;">[ By <a href='http://weburbanist.com/steph/?utm_source=Mozilla%2F5.0+%28Windows+NT+10.0%3B+Win64%3B+x64%29+AppleWebKit%2F537.36+%28KHTML%2C+like+Gecko%29+Chrome%2F103.0.0.0+Safari%2F537.36&utm_medium=feed&utm_campaign=feed-main-2017-07-10-the-apprehension-engine-machine-makes-disturbing-horror-movie-music&utm_content=unknown&utm_term=feed-author-footer'>SA Rogers</a> in <a href="https://weburbanist.com/category/design/" rel="category tag">Design</a> &amp; <a href="https://weburbanist.com/category/design/products-packaging/" rel="category tag">Products &amp; Packaging</a>. ]</span>

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