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	<title>WebUrbanist  New Phantom Architecture by Eduardo Tresoldi Haunts the Grounds at Coachella | Urbanist</title>
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	<title>  New Phantom Architecture by Eduardo Tresoldi Haunts the Grounds at Coachella | Urbanist</title>
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        <title>New Phantom Architecture by Eduardo Tresoldi Haunts the Grounds at Coachella</title>
        <link>https://weburbanist.com/2018/04/20/new-phantom-architecture-by-eduardo-tresoldi-haunts-the-grounds-at-coachella/</link>
		<comments>https://weburbanist.com/2018/04/20/new-phantom-architecture-by-eduardo-tresoldi-haunts-the-grounds-at-coachella/#comments</comments>
		<pubDate>Fri, 20 Apr 2018 17:00:15 +0000</pubDate>
		<dc:creator>SA Rogers</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Installation & Sound]]></category>
		<category><![CDATA[architectural sculpture]]></category>
		<category><![CDATA[coachella]]></category>
		<category><![CDATA[ghost architecture]]></category>
		<category><![CDATA[Sculpture & Craft]]></category>
		<category><![CDATA[wire]]></category>

		<guid isPermaLink="false">https://weburbanist.com/?p=113276</guid>
		<description><![CDATA[Full-scale neoclassical and baroque buildings made of wire mesh loom over festival-goers at Coachella this week, representing artist Eduardo Tresoldi&#8216;s largest works yet. The Italian sculptor is known for his eerie installations of translucent architecture, previously seen in a stunning indoor installation in Abu Dhabi, a ghostly ship sailing across Italy&#8217;s Bay of Sapri and <a href="https://weburbanist.com/2018/04/20/new-phantom-architecture-by-eduardo-tresoldi-haunts-the-grounds-at-coachella/">&#8230;</a>]]></description>
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    [ By <a href='http://weburbanist.com/steph/?utm_source=Mozilla%2F5.0+%28X11%3B+Linux+i686%29+AppleWebKit%2F537.36+%28KHTML%2C+like+Gecko%29+Chrome%2F30.0.1599.66+Safari%2F537.36&utm_medium=feed&utm_campaign=feed-main-2018-04-20-new-phantom-architecture-by-eduardo-tresoldi-haunts-the-grounds-at-coachella&utm_content=unknown&utm_term=feed-author'>SA Rogers</a> in <a href="https://weburbanist.com/category/urban-art/" rel="category tag">Art</a> &amp; <a href="https://weburbanist.com/category/urban-art/installation-sound/" rel="category tag">Installation &amp; Sound</a>. ]

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<p>Full-scale neoclassical and baroque buildings made of wire mesh loom over festival-goers at Coachella this week, representing artist <a href="https://www.edoardotresoldi.com/">Eduardo Tresoldi</a>&lsquo;s largest works yet. The Italian sculptor is known for his eerie installations of translucent architecture, previously seen in<a href="https://weburbanist.com/2017/05/19/ghostly-garden-classical-wire-mesh-architecture-haunts-abu-dhabi/"> a stunning indoor installation in Abu Dhabi</a>, a <a href="https://weburbanist.com/2017/08/23/ghost-ship-wire-mesh-sails-make-an-eerie-sight-in-italys-bay-of-sapri/">ghostly ship sailing across Italy&rsquo;s Bay of Sapri </a>and the <a href="https://weburbanist.com/2016/04/04/ghosts-or-architecture-past-14-fossils-of-fallen-buildings/">resurrection of a long-fallen church in Puglia.</a> Entitled &lsquo;Etherea,&rsquo; the new sculptures are a reflection on humankind&rsquo;s relationship with our built environments.</p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-960x640.jpg"><img fetchpriority="high" decoding="async" src="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-960x640.jpg" alt="" width="960" height="640" class="first-image img-responsive"></a></p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-2-960x640.jpg"><img decoding="async" src="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-2.jpg" alt="" width="1400" height="933" class="alignnone size-full wp-image-113282"></a></p>
<p>&ldquo;The installation plays ironically on the dualism between the pure and the filtered experiences that intertwine with one another, to eventually leave the man at the center of it all,&rdquo; says Tresoldi. &ldquo;With the passage from a macro-reality to a restricted one, the human body becomes a key to read, discover, measure and experience reality, just like architecture itself. An analogy between man, architecture and their surroundings is ultimately established.&rdquo;</p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-3-960x640.jpg"><img decoding="async" src="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-3.jpg" alt="" width="1400" height="933" class="alignnone size-full wp-image-113281"></a></p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-4-960x640.jpg"><img loading="lazy" decoding="async" src="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-4.jpg" alt="" width="1400" height="933" class="alignnone size-full wp-image-113280"></a></p>
<p>The three structures that make up &lsquo;Etherea&rsquo; at the Coachella Music Festival stand at 36, 54 and 72 feet in height, taking Tresoldi&rsquo;s sculpture to a whole new scale. They make a striking contrast with the palm trees, mountains and spectacular sunsets in Indio, California, where Coachella is set. Shots that include the crowds really reinforce just how big these creations are. </p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-5-960x640.jpg"><img loading="lazy" decoding="async" src="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-5.jpg" alt="" width="1400" height="933" class="alignnone size-full wp-image-113279"></a></p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-6-960x640.jpg"><img loading="lazy" decoding="async" src="https://weburbanist.com/wp-content/uploads/2018/04/tresoldi-coachella-6.jpg" alt="" width="1400" height="933" class="alignnone size-full wp-image-113278"></a></p>
<p>As always, the layers of mesh create a haunting sense of unreality, keeping the scenery and sky visible beyond each of the &lsquo;buildings&rsquo; so they feel more like memories or projections than physical structures. </p>
<p>Photos by <a href="https://www.robertoconte.net/">Roberto Conte</a></p>
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