There is almost no industry left untouched by 3D printing, from cars to houses, but now things are really heating up with everything from stunning outfits and home-printable arsenals. These two extreme examples show just how diverse the adopting user groups have become – the technology has become untethered from hobbyists and is now found everywhere from the realms of high-fashion fans to anonymous freedom fighters.

Francis Bitonti & Michael Schmidt (images by Albert Sanchez and Jeff Meltz) have collaborated on a stunning dress for dancer Dita Von Teese, fully 3D-printed nylon from laser-fused plastic polymers. Stiff components are strung together in a flexible mesh making the resulting outfit fully wearable and definitely breathable. The entire creation was modeled on the body of the wearer, making for a perfect fit.

More on the concept: “Mr. Schmidt, in conjunction with Mr. Bitonti, applied the spiral formula to the computer rendering of the dress, in a mesh that would undulate around the body in the most feminine way possible. For this reason, Mr. Schmidt tapped longtime friend and muse Dita Von Teese, whom he deems as the consummate classical beauty. While the shape was built over a nude silk corset, most of the architecture of the silhouette, from the voluminous shoulders to the cinched waist, is the result of the hardened nylon powder. The floor-length gown moves and expands according to Ms. Von Teese’s body contours because of the netting pattern.”

Meanwhile, in the limelight for very different reasons, Cody Wilson is launching Defcad, a search engine for 3D-printable designs including  medical devices, guns and other objects sites like Google and MakerBot can’t or won’t tackle.

From the site: “With 3D printed firearms, pharmaceuticals, automobiles, drones, and medical devices, the stakes will suddenly get much higher. Because 3DP is not about reviving manufacturing jobs or competing with assembly lines on cost. It is not about disrupting manufacturing. It is about disrupting copyright, IP, and regulation. It is about printing items whose prices have been set to infinity. It is about disrupting man-made forms of artificial scarcity. It is about DEFCAD.”

From color-your-own and converted-umbrella dresses to hoodies-turned-tote-bags and color-scanning sewing machines, a simple, clever and clearly-executed design concept can be as brilliant as the most fashion forward runway piece. See some cool and colorful prototypes first, or skip ahead to learn simple tricks and tips to turn your most ordinary, disused and abused clothes into one-of-a-kind wonders.

Inside the Lines: Self-Colored Convertible Outfits

Consider Berber Soepboer, who started with the most obvious of blank slates: a black-and-white base made to be filled in by the wearer with colored markers.

From that baseline, she has gone on to  incorporate buttons, snaps and folds that allow each outfit to convert on the fly.

Wash, Rinse, Recolor: Color-Changing Dresses

For those afraid they might color outside of the lines, Fernando Brizio has an even simpler alternative. A series of simple pockets in these modest white outfits provide the basis for custom color schemes.

You can choose how to arrange the results by deciding which colors to slot in where, and watching them bleed outward to form patterns … then wash them out and start again.

Upcycled Apparel: Old Shirts to New Tops & Skirts

But what about your existing wardrobe? It turns out there is lot to be done on that front as well, like this series of old baggy shirts turned into stellar new tops and dresses by Mari Santos.

Step by step, she takes clothing items that would normally be destined for the dumpster (or at best: the thrift store) and makes dynamic new outfits from them.

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Combining light art photography and high fashion, these show-stopping, runway-worthy gowns are invisible until completed, and manufactured without physical material.

Atton Conrad sets the models in pitch-black rooms, then writes with lights around them, resulting in a flowing and ephemeral slow-captured creation that is only visible after each shot is finished.

Conrad has worked extensively in both of the fields found intersecting here, as a veteran photographer and light artist alike. “London born, Belfast bred and originally set for a career in science, the inherited genes from an artist father & actress mother prevailed. He made for the bright lights of his birth city to persue his love of photography.” He was, as it were, drawn to the light – limelight, spotlight, and lighting itself.

Of his work, he says that “it started with light trails, but grew far beyond that, as i developed my methodology and custom designed ‘light brushes’ I realised that the techniques could give me incredibly fine control over light and texture, to an unique almost hyperreal result. I have always been known for my classic lighting, and still take great pleasure in it, but this took it a completely fresh direction.”

Citizens of Osaka, Japan, are a peaceful lot not generally accustomed to seeing red. All that changed on the morning of July 25th when pedestrians on “Midosuji Sculpture Street” were greeted by 19 bronze statues outfitted in a variety of fashionable red dresses placed there by an anonymous (but artistic) urban prankster.

No Redress For Red Dresses

(images via: Sandenji’s Blog and City of Osaka)

All dressed up with no place to go? Such was the scene on the morning of July 25th, 2011, when bleary-eyed pedestrians out for an early morning walk along Osaka’s Midosuji Boulevard noticed something was different… the familiar bronze statues along both sides of the street were showing a lot less “skin” than usual.

(images via: Timely24, Mainichi and GOO News)

It seems that sometime the previous night, one or more persons stealthily made their way down Midosuji Boulevard – not a straightforward task in itself, considering Midosuji is one of Osaka’s most famous central streets – carefully choosing and then clothing 19 of the 29 bronze statues in red clothes suited to match their depicted age and gender. The guerrilla artist responsible was caught on security camera footage but all that’s known to this point is he or she rides a bicycle. Or maybe it was a unicycle… c’mon Japan, if YOU can’t provide better cameras, who can?

Brains vs Bronze

(images via: English Cafe and Osaka Prefectural Government)

Let’s take a step back… so-called “Midosuji Sculpture Street” is a wide, spacious boulevard that is, unofficially at least, Osaka’s main street. In 1992, the city commissioned a series of figural bronze sculptures with the theme “In Praise of Mankind,” though a good number of the statues are plainly representative of womankind.

(images via: Kansai Scene, Osaka City and Osaka-Info)

As your average bronze sculptures don’t come cheap, many of the statues set on stone pedestals along Midosuji Boulevard have been donated by large Japanese businesses and corporations. The sculptures themselves are international in character, featuring works by Giorgio de Chirico, Henry Moore, Churyo Sato, Emilio Greco, Shinya Nakamura and August Rodin.

The Empress’s New Clothes

(images via: City of Osaka and MSN/Sankei)

Given the status of the sponsors and the location of the statues, it would seem the two dozen-odd bronzes would either be somewhat sacrosanct or a target for those desiring to grab the limelight for themselves. Turns out, both suppositions are correct.

(image via: City of Osaka)

According to the Midosuji Network, a local Osaka organization whose mission is promoting the 2km (1.25 mile) long stretch of Midosuji Boulevard where the statues are located, there had never been any previous reports of “vandalism” to the sculptures. Even so, the artistic merits of the stunt didn’t appeal to everyone. “It wasn’t an aesthetic sight,” said a spokesman for the Midosuji Network’s administration. “The outfits looked like second-hand clothing that had been dyed red. Some pieces were tied on to the statue with red vinyl tape.” Meh, everyone’s a critic.

(images via: WSJ and GOO News)

This video from Japanese news network TBS shows some of the clothed statues and examines some of the red and red-dyed clothing itself, which following its removal was laid out for the press and police:

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Obviously the fleeting fashionista had little or no opportunity to properly fit his creations to their fixed targets, so a little improvisation (and some adhesive tape) was called for.

We Red His Mind

(images via: Nana707/DeviantArt, Paine-Angel/Deviant/Art and Cosplay.com)

Why red dresses and why were only the female statues targeted by the phantom clothier? Perhaps the perpetrator is a fan of Nana Osaki, a fictional character from the early 2000s manga/anime series Nana by Ai Yazawa. According to Nana’s backstory, her grandmother had forbidden her to wear pink or red but the rebellious Nana buys herself a red dress and wears it to a punk rock concert. Perhaps this writer knows a bit too much about certain manga/anime series.

(images via: Comic Vine, Paine-Angel/Deviant/Art and Getfilm)

Maybe the vexed Versace-wannabe simply has a thing for The Woman In Red… hey, Gene Wilder did (in 1984), and he’s pretty geeky as geekiness goes. But back to anime, manga and comics: The Woman in Red, from the classic comic book that debuted back in 1940. Policewoman Peggy Allen fought crime decked out in a red floor-length coat, hood & mask and was arguably the first female costumed superhero… someone fans of cosplay today might view with a certain degree of reverence.

(images via: JapanTrends, Hinohara and Niigata Art226)

Irregardless of the prankster’s motives (and hey, maybe he was merely an artistic prude), they definitely made an impression upon the powers that be. “It feels mysterious,” said Osaka Mayor Kunio Hiramatsu at a July 26th press conference. “The city won’t file accusations, and I’d like to know what kind of person it was.”

(images via: WSJ and Mainichi)

Mayor Hiramatsu, who doesn’t have a background in the art or fashion industry, nevertheless said the dressing of the statues was “so carefully done that it makes me think the person who did it was trying to express something.” Hinting he was willing to let bygones be bygones, the mayor extended an invitation to the mystery man to participate in a creative event called “Midosuji Design Street” being held this September. Hopefully he’ll attend; it’d be a shame if the person who left Osaka’s statues dressed in red were to leave the city’s glitterati red-faced.