Photographer Reuben Wu continues his stunning “Lux Noctis” series with a new collection of images capturing illuminated drone paths over Bolivia’s eerie salt flat landscape. This time, he got to use some cool new equipment: Phase One’s 150-megapixel XT camera system, which costs $57,000.

Phase One sponsored the project, sending Wu to the extraordinary landscape for a set of photos that look more alien than ever.

“My favorite memory from the trip to Bolivia is shooting the salt flats at sunset. The salt crystallizes into beautiful polygon shapes stretching into the horizon and, as the sun was setting, the shadows cast by the glowing salt ridges became longer and longer, and so the landscape would look different every few seconds. Being there and watching the landscape change as the sunset moved across it, that feeling just stuck with me.”

“A lot of my photos created with drone lights feature circles. To me, this shape represents renewal and perfection. With the image above, I wanted to feature the circle within the landscape of Bolivia’s salt flats. Having the light really low on the salt flats created an interesting mood, with the glow emanating from it and the shadows cast on the ground.”

Another series, Aeroglyphs, takes a more geometric approach with large shapes traced in the sky, contrasting with ethereal settings.

Previously, we covered the UFO-style patterns in the skies Wu created for LUX NOCTIS II. The photographer (who’s also a founding member of the band Ladytron) has traveled the world seeking out the most dramatic, high impact landscapes he could find and flying LED-equipped drones overhead to illuminate them after dark.

“It’s so easy to become numb to conventional depictions of beautiful nature,” he said at the time. “In casting a new, unfamiliar light, I want people to see that while other planets are fascinating and incredible to us through the eyes of spacecraft and rovers, it is our own planet which has so much grandeur and beauty which is both accessible to us and worthy of preservation and protection.”

You can read more about Wu’s work in Bolivia at the Phase One website.

Paint with light in real-time with a pair of shoes that not only have 100 LED lights embedded into the sole, but are also fitted with advanced motion tracking sensors to put on a dazzling show matched to your movements. Orphan by Japanese startup No New Folk Studio is a programmable performance shoe that can be set to blink and change color according to the speed and orientation of the dancer’s movements.

The Orphe shoes are essentially an artistic medium, bringing technology, dance and light painting together in a highly customizable experience. Users can either use the accompanying app to communicate with the shoes via Bluetooth, or pre-program their own effects. But the functionality goes beyond personal expression.

“The 9-axis sensors embedded in each sole pick up the movements of each shoe in real time. This data can then be used to wirelessly control various external devices, allowing the shoes to function as musical instruments, video game controllers, foot switches, etc.”

Each shoe contains a small circuitboard with an ARM Cortex-M3 microprocessor, a tracking device, a wireless module and a charging circuit as well as the LED light strip. The project is currently seeking funding on IndieGoGo, with backers snagging their own pair for $270 as a reward.

Giant faces measuring 25 feet in height emerge in three dimensions from an ‘architectural Mount Rushmore’ at the entrance of Sochi’s Olympic Park. ‘MegaFaces’ is an interactive installation by architect Asif Khan consisting of a fabric pavilion that is manipulated into the shape of visitors’ faces by 11,000 actuators located just under the cube’s stretchy membrane.

Three visitors at a time enter a booth located inside the pavilion to have their faces digitally scanned and displayed on a massive scale for everyone outside to marvel at. Each face is magnified by 3500%. The effect is that of a giant pinscreen, but it’s technically the world’s first “three dimensionally actuated large-scale LED screen.”

The 11,000 actuators that create the images are tipped with translucent spheres containing RGB-LED lights, so a combination of physical movement and light intensity creates the pinscreen effect. The idea is that anyone can “become a hero,” reflected to the world on a large scale.

“Whether we are taking a self-portrait and posting it for our friends to see, or texting an emoticon to show how we feel, we’ve translated a fundamental means of self-expression into a new medium,” says Khan. “That is why I think of this pavilion as a synergy between architecture and digital platform. At the same time it’s a monument to all of us. The concept is to make people the face of the Olympics.”

Light might just be the most captivating art medium of all, capturing our attention and transforming spaces in a way that paint can’t. Some artists use it in combination with long-exposure photography techniques to produce surreal, ghostly light graffiti, while others – like these 15 (more!) sculptors and installation artists – integrate it into physical forms using LEDs, lamps and even glowing gases.

LED Light Cathedral

(image via: oddity central)

Towering nearly 100 feet into the air, this cathedral is made up of 55,000 LED lights. Cagna Illumination’s light cathedral was designed as an entrance for the 2012 Light Festival in Ghent, Belgium. Because LED lights are so energy-efficient, the entire display consumed only 20 kilowatts per hour.

The Man with No Shadow by Makoto Tojiki

(images via: mocoloco)

Makoto Tojiki’s The Man with No Shadow is a life-sized LED sculpture made for Tojiki’s stand at SaloneSatellite in 2009. The three-dimensional figure was created by adding lights to strategic spots on strings that were stretched between to flat surfaces.

Neon Skeleton by Eric Franklin

(image via: this is colossal)

It took artist Eric Franklin over 1,000 hours over two years to create this incredible glowing glass skeleton. Entitled ‘Embodiment’, the sculpture is made from 10 separate units of glass formed from borosilicate glass tubing. The skeleton is filled with krypton to create a neon-like glowing effect. Franklin told This is Colossal that the process was extremely painstaking, and that the joints of the glass tubes have to be perfectly sealed to preserve the luminosity of the krypton.”Once the glass pieces are ready to get filled with gas, I pull a high vacuum while the glass is hot in order to evacuate any dust or water vapor from the interior surface until there are literally no molecules inside the void of the glass.”

Surreal Light Installation by Bruce Munro

(image via: field of light)

More than 5,000 Christmas lights were placed atop acrylic stems to create a surreal, glowing field of illuminated ‘flowers’. Artist Bruce Munro experiments with light in bold and exciting ways, and this installation – ‘Field of Light’, pictured here in front of the Holbourne Museum in 2011 – has a futuristic feel to it.

Artificial Moon by Wang Yuyang

(image via: art hub asia)

Measuring over 13 fee wide, this globe of light hung over a Shanghai street to call attention to the problem of light pollution, which makes it difficult to see the actual moon in the sky. Artist Wang Yuyang placed the lights in configurations that mimic the ridges and craters that can be seen on the surface of the moon.

Luminous Art Grid by Stuart Williams

(images via: behance)

1,680 energy-efficient fluorescent lamps were used to create a massive grid covering over 10 acres of hilly landscape 50 miles north of San Francisco in 1993. Artist Stuart Wiliams, who raised nearly half a million dollars to create the installation, says “I see the project as a poetic statement on the potential harmony between technology and nature.”

Something and Nothing by Keith Lemley

(image via:  1708 gallery)

Concentric rings of neon lights mimicking those of trees spread out from a trio of trunks in the ‘Something and Nothing’ installation by Keith Lemley, seen at the 1708 Gallery in Richmond, Virginia in 2011. The gallery states, “By combining the everyday occurrence of perceiving light with an unusual delivery method, Something and Nothing calls attention to ‘the phenomenology of sight, the physiology of perception, and the experience of being a living body in space.'”

Big Round Cubatron by Mark Lottor

(image via: trixiepixie)

Seen at Burning Man in 2007, the Big Round Cubatron is the world’s largest three-dimensional, full-color ‘dynamic’ light sculpture. It measures 40 feet in diameter and 10 feet high, consisting of ten spokes covered in 6,720 lights made of over 20,000 LEDs.

Neon Lights in Urban Areas by Bill Fitz-Gibbons

(images via: bill fitzgibbons)

Prominent street artist Bill Fitz-Gibbons specializes in creating neon-light displays in urban areas. Mundane overpasses come to life with vibrant colors that turn everyday concrete structures into gorgeous works of art. The effect is make possible by large light projectors that cast the light at just such an angle as to reflect as you see it.

Tunnel Vision by Paul Klotz

(images via: i wish i had this)

Applied art engineer Paul Klotz specializes in interactive light installations for public spaces. This particular work, entitled Tunnel Vision, responds to viewers’ hand movements by changing both color and sound output. When the gallery space is empty, the sculpture – which consists of a six-meter modular lightline – acts as a thermometer, representing the temperature of the space with its colors.

Array by UVA

(image via: uva)

Comissioned by the Yamaguchi Center for Arts and Media in Japan, ‘Array’ is an interactive light installation featuring a field of LED strips that interact with visitors. Created by United Visual Artists (UVA), the lighting installation shifts in response to the viewers’ movements using hidden ultrasonic sensors. Says UVA, “Inside the grid lives a spirit, in the form of a single pure red light. This spirit is timid but often playful, revealing itself boldly then disappearing.”

Urban Light by Chris Burden

(images via: art and perception)

Over two hundred restored cast-iron lamp posts from Los Angeles County were grouped together into a stunning installation called ‘Urban Light’ by Chris Burden. The installation was created  for the opening of Los Angeles County Museum of Art’s expansion in 2008.

A,A by Jim Sanborn

(image via: elonka, laanba)

Sculptor Jim Sanborn, who created the famously untracked ‘Kryptos’ cipher that stands in front of the CIA headquarters in Langley, Virginia, installed another sculpture at the University of Houston. Called ‘A,A’, the metal sculpture is printed with snippets of poems, novels and prose from languages around the world. The sculpture is lit from the inside at night to cast the messages onto nearby surfaces.

Anemograph by Jason Bruges

(images via: jasonbruges.com)

Responding dynamically to the weather, ‘Anemograph’ at the Sheffield Millennium Gallery in England features colored lights that fluctuate according to changes in the speed and direction of the wind. The artwork is connected to a weather sensor on the gallery roof, which relays data to a control system that drives fans to each tube.

Environmental Light Installations by Carlo Bernardini

(images via: carlo bernardini)

Rome-based artist Carlo Bernardini creates environmental, abstract fiber optic installations based on rhomboidal or triangular forms. The lights come together as three-dimensional shapes when you stand at a certain vantage point.