The plot of the movie ‘Inception’ is almost an afterthought compared to the impact that its distorted, dreamlike manipulations of architecture and landscapes has had on a generation of artists and designers. Inspired by the concept of warping a scene in ways that completely defy the laws of physics yet still remain photo-realistic, the following artists have created new worlds that are strange and yet also familiar.

Erik Johansson

Nothing is quite as it seems in the images produced by Swedish-born, Berlin-based photo artist Erik Johansson. Grassy land cascades over the edge of the world like a waterfall, the surface of the earth is unzipped, cars appear to hover upside-down on the road. It’s difficult to tell reality from illusion, and that’s the point; the scenes he creates are as playful as they are impossible. Setting up and taking the photos takes about as long as manipulating them in Photoshop, and a single image can consist of over 100 layers.

Cubic Landscape by Petey Ulatan

Flattened views of landscapes are flipped and folded to create cubes, their edges bent at 90 degree angles, eliminating the very gradual and subtle curves that make up the surface of the Earth. Artist Petey Ulatan takes inspiration from the films ‘Inception’ and ‘Interstellar’ to reshape the world, almost as if a giant hand were making it into origami.

Turkey Turned Upside-Down by Aydin Büyüktas

Many of the same manipulations are happening in the work of Aydin Büyüktas, except focused on the Turkish city of Istanbul, with all of its landmarks and neighborhoods warped in ways that defy the laws of physics. The artist uses drone photography and 3D software to create these composite images. “We live in places that most of the times don’t draw our attention, places that transform our memories, places that the artist gives another dimension; where the perceptions that generally crosses our minds will be demolished and new ones will arise. These works aims to leave the viewer alone with a surprising visuality ironic as well, multidimensional romantic point of view.”

‘Inception Park’ in Buenos Aires by Black Sheep Films

What if you could ride a trackless rollercoaster around the city, almost as if you’re on the back of some kind of mystical flying creature? Black Sheep Films gives us an idea of what this would feel like with ‘Inception Park,’ a strange little video set in Buenos Aires. It’s fun to watch the snake of rollercoaster cars meander through the space, interacting with architecture.

Twisted Architecture by Nicholas Kennedy Sitton

“These photos are a result of how intriguing the concept of distortion translates to architecture,” says artist Nicholas Kennedy Sitton of his ‘Twisted Architecture’ series. “It creates a sense of falling into itself, like capturing a moment of demolition. I can destroy titanous steel structures with the click of a mouse and create new twisted versions of reality. I was also inspired by San Francisco. I had just moved there and being in a new city was disorienting and exciting and I wanted to capture how my whole world had changed.”

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Warped Worlds 30 Surreal Digitally Manipulated Landscapes

Ghostly building facades seem to have been sliced right off the buildings that should be attached to them, their skinny silhouettes rising from street level against the laws of physics. These structures are an architectural interpretation of the term ‘all style, no substance,’ presenting buildings as they look at first glance without the parts that you would see if you were to walk around the sides and back.

The ‘Façades’ series by French photographer Zacharie Gaudrillot-Roy wondered what a city would look like if architecture was only scenery, with no actual places for people to carry out their daily lives. The building facades were isolated in Photoshop, the backgrounds filled in with other shots taken nearby.

The resulting images are all the more eerie for the hints of life they still contain, like satellite dishes, bicycles and laundry draped on balcony railings.

“This series offers a vision of an unknown world that would only be a picture, without intimate space, with looks as the only refuge,” says Gaurdillot-Roy.

In the Age of Photoshop, few images are surprising anymore – but every now and then, you come across one that makes you do a double take and spend a few moments thinking, “how’d they do that?” Swedish photographer Erik Johansson has a portfolio packed full of such images, blending reality and artificiality together so seamlessly, one wonders whether he’s an artist or a magician.

Johansson seems to live in a surreal world where roads unfurl like fabric, giant mirrored objects dangle from the sky, humans spring forth from the soil like potted plants and disturbingly elastic faces pop out of joint to swallow oranges whole.

The Swedish artist takes all of his photos himself and manipulates them digitally in Photoshop CS4, spending 10-20 hours on each photo. “I got my first digital camera when I turned 15, I did some changes to the photos and thought it was fun. But I really started in 2007 when I bought my first SLR camera. That is when I started to do some serious photo manipulations,” Johansson told Abduzeedo.

In an interview with Don’t Panic, Johansson said, “My goal is to make pictures as realistic as possible, but at the same time impossible. Many photographers try to look weird, so I try to make my shots as plausible as possible. I would say I try to use humour a lot and I rarely have a didactic message. Sometimes I want to tell something, but mostly I want people to interpret.”

“A lot of young people think they’re fascinating but the older generation don’t really believe in Photoshop. They think photos should be a pure image. Myself, I’m never satisfied with them but I think that’s a healthy instinct.”