Combining the raw exterior remnants of source stones with the finely-tuned architectural details of sacred spaces, these marvelous fossil-like miniatures combine compelling elements of organic forms with heroic amounts of human effort.

Matthew Simmonds studied art history before becoming a stonemason, then turned his knowledge and skill toward a hybrid pursuit: sculpting spaces from sandstone, limestone and marble.

What he uncovers inside each chunk becomes part of a graceful juxtaposition with the rough and unaltered exterior shells that remain. His works also convey a sense of discovery, as if archeologists had dug down to find these marvelous wonders buried in history.

“Making a play of architectural spaces on a small scale, the solid stone is opened up to reveal internal worlds, often intricately carved, in which the changing viewpoint and light play a strong role in defining the sculptures.”

“Drawing on the formal language and philosophy of architecture the work explores themes of positive and negative form, the significance of light and darkness and the relationship between nature and human endeavour.”

Geoff Manaugh highlighted Simmonds work but also connected it to similar approach taken in a stellar piece of museum advertising set in wood, a promotional image of modern architecture hewn from a log, made for the Cité de l’Architecture.

White wall frames cracked red bricks shaped like rust-colored autumn leaves, all trailing down to a black silhouette of a painter and his bucket – but looks can be deceiving, and this lovely mural was not made in the way you might first guess.

It looks deceptively subtractive at first glance, but Spanish street artist Pejac did not chip away at existing paint to create this piece. Instead, he carefully added layers around bricks he wished to shape, almost like a sculpture carving away at a rough block with a careful hand, revealing an object by removal.

Thanks to careful site selection, the faux leaves and branches in the mural are visually tied both to surrounding greenery – they also related to the reddish surfaces of other nearby painted and brick structures. Meanwhile, the black figure at the base stands out against the colorful environs.

An adept photographer, illustrator and installation artist, Pejac’s other works include cleverly altered street signs and carefully orchestrated urban fantasies, the latter created using paper cutouts attached to windows.