No smoke-and-mirrors or post-production here, just fleeting vignettes swiftly staged on steamed windows and set against natural outdoor backgrounds.
Jim Osborne is a self-taught landscape artist who typically works in watercolor, acrylic and oils. He describes himself as being inspired by his surroundings, light and the weather. Recently, however, he has begun working in a new direction with water condensation on glass window surfaces.
His Steamy Windows Collection represents a bit of a departure for him in terms of tools and approach – the work is necessarily fast, drawing on organic backdrops, lighting conditions and perceptual cues. Each piece is shot quickly as well, and prints can be found for sale on his website.
With the need for speed, every little gesture counts – the results are simultaneously planned but ultimately uncontrolled, a mixture of simple figures and hasty grounds that somehow manages to look like more than the sum of its parts. The approach seems like a a great way to train oneself to think in an agile fashion and be nimble in execution.
