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	<title>WebUrbanist  Appeals to Authorities: 16 Shots of a Year-Long Graffiti Sequence | Urbanist</title>
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	<title>  Appeals to Authorities: 16 Shots of a Year-Long Graffiti Sequence | Urbanist</title>
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        <title>Appeals to Authorities: 16 Shots of a Year-Long Graffiti Sequence</title>
        <link>https://weburbanist.com/2016/03/10/appeals-to-authorities-16-shots-of-a-year-long-graffiti-sequence/</link>
		<comments>https://weburbanist.com/2016/03/10/appeals-to-authorities-16-shots-of-a-year-long-graffiti-sequence/#respond</comments>
		<pubDate>Thu, 10 Mar 2016 18:00:11 +0000</pubDate>
		<dc:creator>Kurt Kohlstedt</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Street Art & Graffiti]]></category>
		<category><![CDATA[graffiti]]></category>
		<category><![CDATA[mobstr]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[stencil]]></category>
		<category><![CDATA[tagging]]></category>
		<category><![CDATA[war]]></category>

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		<description><![CDATA[What started with a single stenciled word (&#8220;RED&#8221;) became a year-long interactive art experiment, as graffiti artist Mobstr tested the patience, limits, diligence and ingenuity of officials tasked with cleaning up his work. This was not his first work aimed at the establishment, but it may be his most epic visual&#160;dialogue with authorities to date. <a href="https://weburbanist.com/2016/03/10/appeals-to-authorities-16-shots-of-a-year-long-graffiti-sequence/">&#8230;</a>]]></description>
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    [ By <a href='http://weburbanist.com/WebUrbanist/?utm_source=Mozilla%2F5.0+AppleWebKit%2F537.36+%28KHTML%2C+like+Gecko%3B+compatible%3B+ClaudeBot%2F1.0%3B+%2Bclaudebot%40anthropic.com%29&utm_medium=feed&utm_campaign=feed-main-2016-03-10-appeals-to-authorities-16-shots-of-a-year-long-graffiti-sequence&utm_content=unknown&utm_term=feed-author'>WebUrbanist</a> in <a href="https://weburbanist.com/category/urban-art/" rel="category tag">Art</a> &amp; <a href="https://weburbanist.com/category/urban-art/street-art-graffiti/" rel="category tag">Street Art &amp; Graffiti</a>. ]

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<div id="urb-ads-toc-box" class="post-ads-toc-box urb-ads-toc" style="display:none;"></div><p>What started with a single stenciled word (&ldquo;RED&rdquo;) became a year-long interactive art experiment, as graffiti artist <a href="http://www.mobstr.org/red/">Mobstr</a> tested the patience, limits, diligence and ingenuity of officials tasked with cleaning up his work. This was not his <a href="https://weburbanist.com/2014/09/27/paint-me-white-again-tunnel-type-graffiti-taunts-authorities/">first work aimed at the establishment</a>, but it may be his most epic visual&nbsp;dialogue with authorities to date.</p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/01/2.jpg"><img decoding="async" class="alignnone size-large wp-image-88626" src="https://weburbanist.com/wp-content/uploads/2016/01/2-468x312.jpg" alt="2" width="468" height="312"></a></p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/01/3.jpg"><img decoding="async" class="alignnone size-large wp-image-88625" src="https://weburbanist.com/wp-content/uploads/2016/01/3-468x312.jpg" alt="3" width="468" height="312"></a></p>
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<p>&ldquo;I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was buffed with red paint. However, graffiti outside of the red area would be removed via pressure washing.&rdquo;</p>
<p><a href="#" data-featherlight="https://weburbanist.com/wp-content/uploads/2016/01/f.jpg"><img loading="lazy" decoding="async" class="alignnone size-large wp-image-88642" src="https://weburbanist.com/wp-content/uploads/2016/01/f-468x312.jpg" alt="f" width="468" height="312"></a></p>
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<p>&ldquo;This prompted the start of an experiment. Unlike other works, I was very uncertain as to what results it would yield. Below is what transpired over the course of a year.&rdquo;</p>
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<p>Over the year, as the sequence shows, the artist continually tried to think outside the (red) box, and challenge his adversaries in fresh ways. In a way, the end result was predictable but could also be interpreted as a subtle nod to the original message.</p>
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