Most jewelry tells some kind of a story (about its origin if nothing else) but these pieces are a bit more explicit, featuring tales of structures, characters and actions in miniature built environments.

Architectural designer Artur Dabrowsk produces rings, cuffs, necklaces and bracelets that revolve “around the concept of ‘depth’ in terms of formal language (shadow lines, composition, depth of field) as well as in meaning (details, storytelling).”

Whether he is crafting mysterious staircases to nowhere or endlessly looped brick arches, each piece involves careful attention architectural detail (including theoretical structural load calculations) and is available in brass, bronze or silver.

The brick ring specifically goes back to his days in architecture school — “there is something very tactile and nostalgic that give [bricks] both timeless function and meaning,” says the designer.

“I was raised in a brick clad apartment building in Brooklyn,” he explains, “so I associated the brick wall as a shelter for my introverted childhood. The arch became a metaphoric portal through which I could turn the corner, open up, and express myself while still proud of my introverted self.”

Dabrowsk also has a thing for rabbits, which are something he has sketched idly for a long time and has since started to include as characters in his tiny built environments. “I started drawing them in the margins of my notebooks during grade school and personify them to express thoughts, situations or feelings I was having.”

“I think the imagery of it being personified is playful — the rabbit is cute, hops around, eats, multiplies… and lives naively in this world.” Even here, though, he is conscious of real-life conditions – the suspended rabbit above hands from what would, in reality, be the bare minimum load-support beam across an abyss.

Fans of architectural jewelry should also take a peak at this series of wearable skylines, featuring famous scenes and settings (though in a more two-dimensional format) from around the world.

Located in the heart of the financial district in New York City, the Charging Bull statue has long been an icon of the industry, but now faces its first opponent: a young girl cast in bronze.

Sponsored by city officials and a local firm and crafted by sculptor Kristen Visbal, The Fearless Girl was erected in recognition of International Women’s Day. Its intended message is to encourage companies to put women on their boards, but of course it carries a series of meanings in the face of Wall Street and the political climate.

“One of the most iconic images on Wall Street is the charging bull,” explains a representative of State Street. “So the idea of having a female sort of stand against the bull or stand up to the bull just struck us as a very clever but also creative and engaging way to make that statement. Even though it’s a little girl, her stance is one of determination, forwardness, and being willing to challenge and take on the status quo.”

Whether the statue will stand the test of time remains to be seen, but its persistence would certainly not be without precedent. Per Colossal, the “Charging Bull was originally an act of guerrilla art by Arturo Di Modica, and only became permanent after its soaring popularity, leaving some to wonder if Visbal’s statue could follow the same story.”

Citizens of Osaka, Japan, are a peaceful lot not generally accustomed to seeing red. All that changed on the morning of July 25th when pedestrians on “Midosuji Sculpture Street” were greeted by 19 bronze statues outfitted in a variety of fashionable red dresses placed there by an anonymous (but artistic) urban prankster.

No Redress For Red Dresses

(images via: Sandenji’s Blog and City of Osaka)

All dressed up with no place to go? Such was the scene on the morning of July 25th, 2011, when bleary-eyed pedestrians out for an early morning walk along Osaka’s Midosuji Boulevard noticed something was different… the familiar bronze statues along both sides of the street were showing a lot less “skin” than usual.

(images via: Timely24, Mainichi and GOO News)

It seems that sometime the previous night, one or more persons stealthily made their way down Midosuji Boulevard – not a straightforward task in itself, considering Midosuji is one of Osaka’s most famous central streets – carefully choosing and then clothing 19 of the 29 bronze statues in red clothes suited to match their depicted age and gender. The guerrilla artist responsible was caught on security camera footage but all that’s known to this point is he or she rides a bicycle. Or maybe it was a unicycle… c’mon Japan, if YOU can’t provide better cameras, who can?

Brains vs Bronze

(images via: English Cafe and Osaka Prefectural Government)

Let’s take a step back… so-called “Midosuji Sculpture Street” is a wide, spacious boulevard that is, unofficially at least, Osaka’s main street. In 1992, the city commissioned a series of figural bronze sculptures with the theme “In Praise of Mankind,” though a good number of the statues are plainly representative of womankind.

(images via: Kansai Scene, Osaka City and Osaka-Info)

As your average bronze sculptures don’t come cheap, many of the statues set on stone pedestals along Midosuji Boulevard have been donated by large Japanese businesses and corporations. The sculptures themselves are international in character, featuring works by Giorgio de Chirico, Henry Moore, Churyo Sato, Emilio Greco, Shinya Nakamura and August Rodin.

The Empress’s New Clothes

(images via: City of Osaka and MSN/Sankei)

Given the status of the sponsors and the location of the statues, it would seem the two dozen-odd bronzes would either be somewhat sacrosanct or a target for those desiring to grab the limelight for themselves. Turns out, both suppositions are correct.

(image via: City of Osaka)

According to the Midosuji Network, a local Osaka organization whose mission is promoting the 2km (1.25 mile) long stretch of Midosuji Boulevard where the statues are located, there had never been any previous reports of “vandalism” to the sculptures. Even so, the artistic merits of the stunt didn’t appeal to everyone. “It wasn’t an aesthetic sight,” said a spokesman for the Midosuji Network’s administration. “The outfits looked like second-hand clothing that had been dyed red. Some pieces were tied on to the statue with red vinyl tape.” Meh, everyone’s a critic.

(images via: WSJ and GOO News)

This video from Japanese news network TBS shows some of the clothed statues and examines some of the red and red-dyed clothing itself, which following its removal was laid out for the press and police:

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Obviously the fleeting fashionista had little or no opportunity to properly fit his creations to their fixed targets, so a little improvisation (and some adhesive tape) was called for.

We Red His Mind

(images via: Nana707/DeviantArt, Paine-Angel/Deviant/Art and Cosplay.com)

Why red dresses and why were only the female statues targeted by the phantom clothier? Perhaps the perpetrator is a fan of Nana Osaki, a fictional character from the early 2000s manga/anime series Nana by Ai Yazawa. According to Nana’s backstory, her grandmother had forbidden her to wear pink or red but the rebellious Nana buys herself a red dress and wears it to a punk rock concert. Perhaps this writer knows a bit too much about certain manga/anime series.

(images via: Comic Vine, Paine-Angel/Deviant/Art and Getfilm)

Maybe the vexed Versace-wannabe simply has a thing for The Woman In Red… hey, Gene Wilder did (in 1984), and he’s pretty geeky as geekiness goes. But back to anime, manga and comics: The Woman in Red, from the classic comic book that debuted back in 1940. Policewoman Peggy Allen fought crime decked out in a red floor-length coat, hood & mask and was arguably the first female costumed superhero… someone fans of cosplay today might view with a certain degree of reverence.

(images via: JapanTrends, Hinohara and Niigata Art226)

Irregardless of the prankster’s motives (and hey, maybe he was merely an artistic prude), they definitely made an impression upon the powers that be. “It feels mysterious,” said Osaka Mayor Kunio Hiramatsu at a July 26th press conference. “The city won’t file accusations, and I’d like to know what kind of person it was.”

(images via: WSJ and Mainichi)

Mayor Hiramatsu, who doesn’t have a background in the art or fashion industry, nevertheless said the dressing of the statues was “so carefully done that it makes me think the person who did it was trying to express something.” Hinting he was willing to let bygones be bygones, the mayor extended an invitation to the mystery man to participate in a creative event called “Midosuji Design Street” being held this September. Hopefully he’ll attend; it’d be a shame if the person who left Osaka’s statues dressed in red were to leave the city’s glitterati red-faced.

Bruce Catalano is an international sculptor who has fun giving you only part of the picture. His skills with bronze are legendary, and though his subject matter is pretty concentrated, it’s consistently interesting.

(Images via szarts, bumbumbum, mackmelo)

Barely hanging there, these sculptures are held together by the smallest pieces. At a glance, it seems impossible, but Bruno Catalano is skilled at holding together sculptures that seem physically impossible.

(Images via bassedef, haha)

Bruno Catalano is incredibly skilled. Even the most amateur art lover can appreciate the realism that Bruno Catalano brings to life in his sculptures.

(Images via farea, farea, booking-flats, booking-flats)

Not all of Bruno Catalano’s works are of someone standing tall with a briefcase, but there is definitely a theme, and travel is a huge part of it. The real joy comes in the delicate composition and the extremem realism.

(Images via haha, pichaus, kavity, sweet-station, liveinternet)

A broken man is not easy to put together into an exhibition-worthy piece. Bruce Catalano makes this look easy, showcasing a broken man traveling from place to place, often missing clothing and always seeming stoic or dejected. The sculptures, however, always look incredibly real.