Is this the most terrifying musical instrument ever made? If you just take a quick glance at it, you’ll likely say no – it’s an unassuming (albeit rather strange) jumble of strings, rods, reverbs and metal rulers attached to a boxy wooden base. But just you wait until composer Mark Coven, whose work includes the stunning score for the 2016 horror film The Witch, sits down at it and starts to play. The sounds that emerge from the ‘Apprehension Engine’ are designed to give you the creeps, and they’re quite effective.

Korven, who has scored a number of feature films over the years, was sick of using the same old digital samples to get the signature scraping, creaking, squealing and rumbling sounds that help provide a hair-raising atmosphere. The world of creating analog sound effects in audio post-production is pretty fascinating, and foley artists use all sorts of weird objects to create many of the sounds you hear in an average movie or TV show.

But Korven wanted something very specific, all together in a single instrument, so he turned to his friend Tony Duggan-Smith, a guitar maker, to help him craft it. In this video, Korven demonstrates to Great Big Story how the Apprehension Engine works as he plucks, wiggles, flicks, thumps and runs a bow across the various objects connected to the instrument.

What if you were to eliminate the unwieldy parts of a guitar but maintain its resonant sound and the same exact way of playing, in order to make the instrument are more convenient traveling companion? It might sound ridiculous or downright impossible, but that’s exactly what designer Orit Dolev has done with NOMAD, a compact digital instrument with pressure-sensitive frets and flexible rubber strings to replicate the traditional guitar playing experience.

Dolev came up with the idea for NOMAD after taking a long journey through Asia and South America, where she imagined her guitar would offer a handy and powerful way to make new connections across language barriers. She quickly learned that getting around would be frustrating, noting that she couldn’t just shove it into her backpack, and the strings were constantly breaking and getting out of tune.

Designed to encourage mobility, the NOMAD features a wooden neck for a familiar feel in your hands. It pairs up with an app to play a wide variety of sounds, and you can turn the frets on and off to switch between acoustic and electric guitar modes or even to entirely different string instruments, like sitars. Hook it up to headphones so you can play on train rides or in hotels without disturbing anyone, or play through the accompanying portable amp, which doubles as a case cover.

“Technology is constantly changing the way we are living,” says Dolev. “Powerful mobile devices and widespread connectivity are serving as fertile ground for a new generation of nomads. From urban work-from-anywhere lifestyle to digital nomads roaming the globe freely, new cultural movements are rising. We are more mindful of the objects we surround ourselves with, striving to travel light and collect experiences more than things. Own less, explore more.”

Anyone who visits ‘Music Festival, TeamLab Jungle’ this summer will get to immerse themselves in a space made of light, interacting with moving beams to help produce collaborative crowd-sourced music. ‘Light Chords’ is one of three ‘4D’ light-based installations the Japanese interdisciplinary group has planned for the event, all of which represent a unique intersection of art, design, technology and nature.

‘Light Chords’ aims to create the sensation of being inside a massive musical instrument, touching the ‘strings’ to produce a sound and hearing it reverberate all around you. The beams of light rise into the sky when touched and then settle back down to be activated again.

The second 4D space, Light Vortex, places visitors at the center of a surreal light show that bends and stretches around the space, while ‘Light Cave’ builds complex light-based architecture over attendees’ heads.

Known for their use of illumination as an artistic medium and for a focus on interactivity, TeamLab brings their ‘Music Festival’ to various cities and spaces each year, with different experiences to be had by day and by night. Before dark, TeamLab Jungle is designed as a music festival for families, while after dark it becomes more like a dance party with BACARDÍ-sponsored bars.

If you can build a foosball table, a desk or an entire full-scale chapel out of cardboard, perhaps it’s not too surprising that this notoriously flimsy material can form the basis of a working Fender Stratocaster guitar. Signal Snowboards previously teamed up with Ernest Packaging to create a corrugated cardboard surfboard, and now they’ve built a custom Strat that even impressed the expert guitar techs at Fender.

The way the cardboard is assembled and shaped makes it surprisingly structurally sound, which is a good thing considering the strings put about 250 pounds of torque on the neck of the guitar. Once it was all glued together, Signal took it to Fender and had their techs cut it into shape and add three 50s single coil pickups, a Stat scratch plate and other Fender components. When held up to light, the body and neck of the corrugated Fender is nearly see-through.

Check out this video to watch the entire building process and listen to the cardboard Fender in action. “The fact that it plays at all is kid of remarkable, honestly,” says Dennis Galuszka, Fender Master Builder. “It’s cardboard.”

How would someone who designs motorcycles for a living approach creating a kit of drums, and vice versa? Yamaha’s Project AH A MAY explores that question, swapping the roles of designers in very different fields to produce the kinds of creative epiphanies that can only occur when taking a truly fresh look at a subject.

The RAIJIN God of the Thunder Drums, for example, seat the performer inside a cage, surrounding them with drum surfaces in a nearly-full sphere. This puts the musician in the driver’s seat metaphorically, and encourages them to have an even more physical interaction with their instrument. The same goes for FUJIN God of the Wind, a marimba that has two people playing at once as if they’re sitting on a two-seater motorcycle.

Meanwhile, the ROOT motorcycle design is incredibly sleek, with brass parts contrasting against a whole lot of matte black. The flowing seat form runs from the front all the way to the fuel tank, with instrument panels and meters hidden underneath so the driver is fully focused on the experience of riding and watching the scenery.

The Zero Plus/Minus Zero electric bicycle fits into a very musical-looking charging stand; to juice it up, you simply pedal. The energized battery can then be used to power all sorts of electronic gadgets around the house – including musical instruments.