Lapping up the side of a three-story building in Kiev, Ukraine, this dark mural mixes blue and gray hues to capture dark waters and skies of the Black Sea.

Originally from London and based in Cape Town, South Africa, artist Jake Aikman enjoys working on extreme and dramatic landscapes, from dark blue oceans to dark green forests and distant lonely mountains.

The focus in most of his pieces is not so much the scene but the setting — especially at larger scales and absent figures, as in this piece, they create a tone or mood rather than telling a particular story. In short: they leave a lot to the imagination, like a blank canvass providing a time and place but no characters.

This particular piece is one of his largest to date and was produced for Art United Us. Spanning the entire side of a structure, it was completed in just over a week.

No room at the inn? No kidding – the denizens of these strange nativity scenes would get even the kindest innkeeper flipping the switch on the No Vacancy sign.

The Modern Nativity Hipster Nativity Set throws tradition out the window and recasts the original nativity in a modern mold. “We started joking about how religions would be different if their sacred texts were set in modern times,” explains creator Casey Wright, who whipped up the concept while enjoying a few beers with his buddies. How hipster-ish is The Modern Hipster Nativity Set? Well, Joseph sports a man-bun and wears a denim shirt while he takes a selfie with Mary, who’s holding a coffee from a certain popular java purveyor as she puckers up with her best duck-face.

Meanwhile, the fashionably sunglassed Three Wise Men roll in on Segways bearing gifts bought online at Amazon. The shepherd captures the miraculous event for posterity by posting it on Instagram using the hashtag #babyjesus. Clean green electric power for his tablet provided via solar panels on the manger’s roof because global warming.

That Ain’t Kosher

Y’know, we liked The Last Supper a lot better when Leonardo da Vinci painted it but hey – not everyone’s a vegetarian. Flickr user quik86 uploaded this iconic image of a baking bacon and sausage nativity back in December of 2010 but some things never get old, especially when they’re smothered in bacon.

Kitty Nativity

For over ten years, sisters Annette and Sue Amendola have been setting up a classic nativity scene outside their home in Red Hook, Brooklyn. The scene itself wasn’t out of the ordinary… at least it wasn’t until a bunch of stray cats arrived and made it their own.

The clowder of kittehs was first attracted by food the Amendola sisters would leave out but then stayed to enjoy the replica manger’s comfy bales of hay. “When the figurine of baby Jesus does finally appear on the hay bale,” explains Annette, “the cats usually push him right off to take their rightful spot.” Cats: doing the devil’s work since 0 AD.

Praise Cheeses

We’ve got your cheesy nativity scene right here, highlighted by a Babybell Jesus and an Emmental angel personifying Oh Hole-y Night. Not suitable for the lactose intolerant.

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Strange Manger The Worlds Weirdest Nativity Scenes

Artist Jeremy Mann works in early in the day or evening, and it shows in the dark, smudged and ultimately riveting way in which he captures streetscapes of major cities from New York to San Francisco.

Wiping, smoothing and layering oil paints with rollers, sponges and brushes, his works, like urban environments, are executions of complex and chaotic addition, evocative yet forever incomplete pictures of a place. He often applies broad marks with an ink brayer and wipes sections away with solvents. Getting increasingly experimental, he has even tried applying and moving paints with doorstops, window wipers and liquor bottles.

“Even that banana which turned out to actually be a good blending tool, painting with lettuce, though, I can tell you might be useless,” said the artist in an interview. “In this process of experimenting with tools, an artist inevitably discovers new techniques as a result of accidents and learning how to recognize those accidents as worthy or not, and then harness them or bury them.”

His paintings are as much about capturing the spirit of a place as its details. Rather than appearing as normal paintings, the pieces start to blend and blur, looking more like photographs shot on a rainy day with all the reflections of puddles, drips, and reflections enhanced. If anything, his recent works also seem to be growing more obscured and abstract over time, perhaps in part as his pallete of artistic tools expands.

As art writer Christopher Jobson explains: “Mann applies and wipes away areas of the canvas to recreate these hazy environments, adding layers of paint back on top of the slightly smeared works with more detailed strokes. This layered effects makes the works appear like double exposed images, two scenes gently blurring into one. The resulting paintings are dark and atmospheric, urban streets seemingly drenched in rain and mystery.”

Mann’s work goes beyond just urban landscapes, and some of his pieces can be seen come June in the John Pence Gallery (you can also see more of his work on Instagram and Facebook).

In a smooth and simple motion, a single section of each image in this series is utterly transformed, this piece rotated until it sits precisely upside down with respect to the original scene.

While some feature more complex shapes, in general the process is extremely straightforward and geometry recognizable: squares or circles, centered horizontally (and sometimes vertically) in the frame, turned precisely 180 degrees.

Victoria Siemer lives in New York City but graduated upstate – reflecting both country and cities, her modified pictures span both natural and urban landscapes but share common themes and methods. What began as a college thesis about fragmentation of self and emotions has morphed into a larger series of shots and prints.

While her surrealistic approach includes everything from universes in coffee cups to cliffs suspended in space, this particular group of works is compelling as much for its quiet directness as anything. Without a clear message or meaning, it is up to the viewer to interpret the results and put these fragmented images back together in their mind’s eye.

If context is critical to understanding art, then what happens to a work when you push a famous piece through time and space to a highly familiar and everyday place? Where fine artwork meets street scenes, strange and beautiful things begin to happen.

In a series called Art History in Contemporary Life, Ukrainian artist Alexey Kondakov elaborately relocates key figures from their historical canvasses into jarringly mundane settings, putting classical art in modern contexts. The results are seamless and convincing – one could almost imagine rehanging the hybrid works back up in museums.

Madonna, child and a chorus of angels are suddenly found sitting in a dirty subway car, cherubs flutter below a shanty overhang and a half-naked hand harp player spins tunes for pennies for commuting pedestrians. Famous figures share drinks at a modern dive while lovers kiss on a darkened subway car.