Left in the hands of nature by residents fleeing Tehran, these ordinary houses have become backdrops for an extraordinary series of photographs by Gohar Dashti, born during the Islamic Revolution.

Dubbed Home, the series is about the power of nature in the wake of human absence. She was inspired to begin the project after returning to her hometown and discovering a single plant on the deck of a neighboring house.

“It had flourished in their absence,” she recalls, “and its neck now curved against its own weight. It had the power to stay there. Left alone, it would eventually consume and conquer the home.” From there, she began to shoot organic scenes as well as staged setups to illustrate the overwhelming forces of nature, extrapolating reclamation based on a combination of reality and imagination.

More about the artist: “Gohar Dashti received her M.A. in Photography from the Fine Art University of Tehran in 2005. After studying photography in Iran, she has spent the last 14 years making the large scale of her practice concerning in social issues with particular references to history and culture through a convergence of interest in anthropology and sociology.”

“She tries with her own means to express the world around her. Her starting point is always her surrounding, her memory, but with her very personal perception of things. She tries to trace her relationship to society and the world in it’s most sensitive way. Her practice continuously develops from life events and connection between the personal and the universal, the political and the fantasised.”

The NYC Parks Department offers an amazing resource in the form of an online map that “includes every street tree in New York City” (spanning 422 species) first mapped by volunteers in 2015 and now updated daily by their forestry team. “On the map, trees are represented by circles. The size of the circle represents the diameter of the tree, and the color of the circle reflects its species. You are welcome to browse our entire inventory of trees, or to select an individual tree for more information.”

Clicking the trees reveals not just species and size but also ecological benefits provided, quantified in dollar terms, from things like capturing storm runoff and reducing air pollution. “We know that trees improve the environment and the health of a city in measurable ways. Trees can capture storm water runoff, reduce energy costs, and make the air less polluted and easier to breathe. We can calculate the benefits that each tree provides to the people of New York City based on a formula developed by the Center for Urban Forest Research. The benefits each tree provides varies based upon its species, size, and location.”

Fans can even track their favorite trees over time and add notes about tree-related activities. So far, nearly five thousand trees have been “favorited” and 20,000 activities reported. For those interested in doing even more, the Parks Department also encourages people to become involved: “It’s easy to become a tree steward! We host volunteers all year long. We can train you in basic activities such as watering trees, adding mulch and soil, and removing weeds and litter; as well as advanced activities such as installing a tree guard, expanding tree beds, and installing or removing stone or brick pavers.”

One caveat: the map only shows trees that grow on land under the jurisdiction of NYC Parks, but this includes trees planted along sidewalks or other public rights-of-way (still, it doesn’t have all trees maintained by the state or federal government or, of course, on private property). Still, with over 600,000 trees to explore, urban plant fans should have plenty to do just tracking and examining the ones that are covered!

A series of stacked tree-like supports seem to abstract the nature in this Japanese chapel, bringing a small geometric forest inside this otherwise minimalist space to serve a contemporary congregation.

Designed by architects of Momoeda Yo, the square pillars were made using traditional Japanese woodworking methods. They stack on top of each other, forming different forest layers and growing smaller as they go up — a fractal-style repeating pattern.

The construction strategy not only supports a ceiling high above, but it also opens up more space for occupation down below. A series of thin, white-painted metal rods are used for structural stabilization (tension) while the wooden members work to hold things up (compression).

The side loads are carried by walls while the columns support roof loads of up to 25 tons. The whole architectural creation reads a bit like a structural drawing exercise, in which loads trace are downward and become larger as they join up and head toward the floor, much like the columns do in this case.

The designer says they were inspired in part by a combination of historic church styles and local traditions: “In nagasaki, there is the oldest wooden gothic chapel in japan known as ‘ohura-tenshudou’,’ he says ‘This chapel is not only a famous tourist point, but a place loved and cared for by the townsfolk. We tried to design the building as a new gothic style chapel, by using Japanese wooden system.”

On the University of British Columbia’s campus in Vancouver, a new record-setting wood structures highlights the many advantages of a growing trend: vertical timber construction. Brock Commons Tallwood House is the highest of its kind to date, providing housing for over 400 students.

The Canadian firm behind its construction, Acton Ostry Architects Inc, says that using wood allowed for a much faster building process. Offsite testing of wood-to-wood connections and structural stability meant less time onsite spent figuring things out. Combined with prefabrication techniques, these approaches helped the builders finish the tower in just 70 days.

In addition to cost and time savings, wooden structures like this one are lighter weight, requiring less energy input during construction while also making them more flexible and resistant to earthquakes. Timber buildings are also famously good at standing up to flames – wooden columns and beams will char in an inferno, and that charred surface can actually stand up longer to heat than exposed steel. While steel heats up and buckles, wood first loses its water weight, then chars and resists the flames. Even when encased in concrete, rebar can heat up, buckle and bend.

Sustainable forestry also enables them to sequester carbon while using a renewable resource — wood buildings like this open the door to carbon-neutral or even carbon-negative projects. Use of glue-laminated beams and columns also allows thinner trees and offcuts to be used in the construction process, reducing waste and growth time for harvested plants.

Some concrete was still required for the elevator cores, metal was needed for connections, and windows, of course, required glass. Still, compared to steel-framed structures, the amount of these materials used was dramatically reduced. And this project is not alone — around the world, forward-thinking architects and developers are beginning to realize that wood is a useful material for building tall.

Not all architecture incorporating lots of living greenery is doomed to remain an unrealistic rendering, depicting buildings that can’t structurally support the weight of all the soil and water needed to keep full-sized trees alive. Architect Thomas Heatherwick built ultra-strong concrete pillars into his 1000 Trees design, for example. Other buildings take a subtler approach, choosing ivy, potted plants or existing trees rooted in the ground. All of these projects attempt to meld urban architecture with lush gardens in the hopes of cleansing the air, storing CO2 to mitigate climate change and providing enhanced access to green spaces in cities.

Valley: Green-Terraced Towers by MVRDV in Amsterdam, The Netherlands

Construction began in August 2017 on MVRDV’s ambitious ‘Valley,’ a mixed-use complex of green-terraced towers in Amsterdam’s central business district. ‘Valley’ is notable not only for its unusual offset stacking of volumes , creating an irregular shape, but also for all the greenery it supports. The towers include 196 apartments, 7 stories of offices, shops, restaurants, cultural facilities and a three-story parking lot.

House for Trees by VTN Architects in Ho Chi Minh, Vietnam

VTN Architects approached ‘House for Trees’ as a way to alleviate the lack of access to green spaces as well as poor air quality found in big cities like Ho Chi Minh. This residential project incorporates trees into its design, envisioned by the firm as a “small park in a dense neighborhood.” The trees are set into deep planter boxes disguised among the concrete volumes of the house, with cut-outs allowing their crowns to rise as high as they like.

Nautilus Eco Resort by Vincent Callebaut in the Philippines

The Nautilus Eco Resort by Vincent Callebaut is designed as a ‘zero emissions, zero waste, zero poverty’ development for the Philippines in response to environmental and social problems in the country, like overfishing, pollution and mass tourism. The project would be built from reused or recycled materials, self-sufficient in producing its own energy and food, and engage volunteer ecotourists in cleaning up plastic waste that washes up onto the area’s beaches. It consists of a series of shell-shaped hotels and apartment towers spiraling around a central island housing a nautical center and scientific research laboratories. The plant walls cool the buildings as they grow food.

Amata + Triptyque Timber Building in São Paulo, Brazil

Constructed entirely from Brazilian timber, this building is a collaboration between architecture studio Triptyque and forest management company Amata. The building aims to be a giant carbon sink, contributing towards the fight against climate change. Each square meter of wood is capable of absorbing a metric ton of carbon dioxide from the environment. The 13-story building contains co-working, co-living and dining spaces, the edges of its terraces dripping with living plants.

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Lush Life 12 Verdant Architecture Projects Making Plants A Main Priority