A pencil is usually a tool, but what happens when artists subvert its common usage, transforming it into a medium for sculpting instead? Extraordinary sculpting skills paired with a steady hand and a magnifying glass make it possible to carve amazingly tiny figures out of the pencil’s lead. Some artists see flowers or portraits in cast-off pencil shavings, or glue masses of the writing instruments together to sculpt and sand them into new forms punctuated by the graphite or colored pigments inside each pencil’s core.

Pencil Lead Carvings by Salavat Fidai

HBO Asia recently commissioned an incredible set of Game of Thrones-themed pencil lead carvings from Russian artist Salavat Fidai, including the sigils of each House, a White Walker, the dragons and the Iron Throne. It takes Fidai about 6 to 12 hours to sculpt each one using a craft knife, a magnifying glass and a microscope. The artist says the most challenging piece in the collection was the throne, which took over three weeks to perfect. Of course, the Game of Thrones pieces are just the latest works from Fidai, who has also carved tiny architecture, superheroes and other fictional characters, and much more.

Vases Made of Pencils by Studio Markunpoika

Hundreds of pencils are glued together into a solid mass and then carved on a machine lathe to create vases and other decorative objects, revealing the insides of the pencils. Studio Markunpoika describes their process: “‘Amalgamated’ is a collection which explores the relationship of a mass produced ‘tool’ and its individual purpose. The beauty of the pencil as an object seems to go unnoticed if utilized only for their primary purpose. ‘Amalgamated’ is a visual and tactile investigation using pencils as a raw material. This holistic principle has been the fundament for creating this set of vases; let the pencils become a thing themselves.”

Pencil Lead Carvings by Dalton Ghetti

The most impressive works by Dalton Ghetti are undoubtedly those which turn single pencil leads into chains. You can’t help but stare at each one for a while, wondering how he managed to pull them off. The fact that the artist has been refining his process since childhood might tell you a thing or two about how he’s able to pull pieces like these off – or that some of his pieces can take months or even years to complete. He also carves his tiny sculptures without the aid of a microscope or magnifying glass, using sewing needles and razor blades.

Pencil Sculptures by Jennifer Maestre

The colorful bristling creatures of Jennifer Maestre seem to have come from the depths of the sea, their appendages recalling the natural shapes of urchins, anemones, coral, octopi and jellyfish. The artist uses colored pencils as a medium for her unusual sculptures. “The spines of the urchin, so dangerous yet beautiful, serve as an explicit warning against contact. The alluring texture of the spines draws the touch in spite of the possible consequences. The tension unveiled, we feel push and pull, desire and repulsion. The sections of pencils present aspects of sharp and smooth for two very different textural and aesthetic experiences. Paradox and surprise are integral in my choice of materials.”

Pencil Lead Carvings by Cindy Chinn

Cindy Chinn takes advantage of the length of graphite contained within a pencil, tunnel-like inside the wood, and translates it into lines of marching elephants or trains. Her ‘Elephant Walk’ series was commissioned by the California-based Epiphany Elephant Museum. Of the train piece, Chinn says “This piece was designed using straight lead pieces for the rails, with the tiny carved train placed and securely glued on top of the rails. The train engine is only 3/16” of an inch tall. The pencil is 5-5/8” long and mounted in a wood shadowbox frame as shown in the photos.”

Next Page - Click Below to Read More:
Pencil Art 50 Sculptures Explore The Hidden Beauty Of This Utilitarian Object

S

The mathematical precision of the patterns cut into raw fruits and vegetables is almost too perfect to be real, but on top of that, Japanese artist Gaku has to work as rapidly as possible to capture a photo of the finished product before it starts to turn brown. Imagine how hard that is with apples and avocados! ‘Mukimono’ is the Japanese art of food carving based in the idea of taking time to appreciate food before it’s consumed. But while many people are dazzled by the elaborate carvings, others are disturbed.

Clearly, it takes a practiced eye and a steady hand to deftly carve out each temporary masterpiece, especially considering that the patterns are so perfectly sized and spaced, they could be computer generated. Gaku says he learned the art five or six years ago, and that he’s a chef by trade, but rarely gets to use his carving skills at work.

You could say it’s too beautiful to eat – or maybe you’d say it’s terrifying. Buzzfeed rounded up a bunch of hilarious Twitter reactions to the work, ranging from “This kind of pisses me off and I don’t know why” to “I want to punch this food.” Perhaps these folks have undiagnosed cases of trypophobia (irrational fear of holes), intensified by the fact that it’s something you’re supposed to put in your mouth?

https://twitter.com/millenniumofme/status/838572502632783872

https://twitter.com/LotusDreaming/status/838080090328137729

This is terrifying

— big naturals kirby (@polearmguy) March 6, 2017

This kind of pisses me off and I don't know why https://t.co/Wh8VSpb2wg

— Melkie ? 6.2 Spoilers (@MelkieAntilles) March 5, 2017

https://twitter.com/LaFilleUneFunke/status/838482143072378880

See more of Gaku’s work on his Instagram.

Eagle feathers, the folds on Yoda’s robe and individual bricks on iconic buildings are among the impossibly tiny details captured in pencil lead by miniaturist Salivat Fidai. The Russian artist uses an X-acto knife to carefully scrape away minuscule shavings of graphite, revealing everything from realistic dinosaur heads to the Eiffel Tower.

Sped-up videos on Fidai’s Instagram give us a look at the process, which starts with scraping away an inch or two of wood to reveal the graphite core. The artist creates the basic shape of each sculpture and then makes the refinements. This technique requires not just an eye for detail but a very light hand as well, to avoid putting too much pressure on the lead and snapping it.

They’re all cool, but perhaps most impressive are the ones featuring little pieces that have been carefully separated from the main graphite core, like this lock. Many originals are up for sale at the artist’s Etsy shop.

Another artist creating similar works is Dalton Ghetti, a carpenter by trade who uses sewing needles and razor blades to carve entire chains of graphite as well as other sculptures, all without the benefit of a magnifying glass.

The idea of beautifying an outdoor space seems straightforward enough – flowers and sculptures and whatnot – but Polish street artist NeSpoon turns that idea into something so beautifully different that it transforms the ordinary into the spectacular.

Working in paint, crochet, and carving, NeSpoon gives dingy and uncared-for urban surfaces new life by adorning them with what she calls “public jewelry.” Her pieces are inspired by lace, often taking on the shapes of enormous doilies painted on the sides of exterior walls.

Other lace-inspired pieces are crocheted into or onto various rough objects to create an extreme visual dichotomy. Some pieces are carved into wood or clay, the intricate patterns looking like entire universes. And then there are the truly random pieces painted onto pieces of concrete or the sides of moored boats.

For many of the pieces, NeSpoon has permission to apply her particular type of artwork on buildings or other public spaces. But some are true urban interventions, appearing in unexpected spaces to provide onlookers with a little bit of beauty and whimsy to brighten their day.

In his most voluminous undertaking to date, this book artist bids farewell to the long legacy of printed Encyclopedia Britannica sets with a mountainous tribute to their 244 years of history.

Guy Laramée, book artist and author of this piece titled Adieu (French for goodbye), has done similar works at smaller scale, sometimes carved into single books and other times made from whole sets or entire series. A range of fascinating examples can be seen below and certain pieces are available for purchase from the Foster/White Gallery.

The act of gouging into a book seems almost violent, making the idyllic and often nature-centric compositions this artist creates via that destruction seem strikingly peaceful by contrast.

Next Page - Click Below to Read More:
Encyclopedic Landscape Artist Carves 24 Volume Book Set