In some cases, the interactions are explicit – abandoned pipes become the starting or end point for a particular piece, or a door frame shapes a given face. In other cases, there are cultural references to the place being photographed in the style or details of the particular visage.
For each luminous painting in his portfolilo, he has tagged the work with the length of the exposure as well as the location for reference. Additionally, dates show the progression as he traveled from one place to the next and picked up new tricks along the way. View more from this series and others on his website.
