Whether you’re haunted by a fear of ghosts, gripped by night terrors involving oversized insects, or find horror in more realistically pressing matters like nuclear meltdowns and the looming environmental apocalypse, there’s something to be scared about among these extraordinarily creepy art installations.
Monster House by Christine McConnell
Artist, photographer and baker Christine McConnell, who’s well known on Instagram for her creepy culinary creations, decided to transform her parents’ house for Halloween sing materials like foam core insulation boards, lighting and a fog machine. The result, ‘Monster House,’ is pretty incredible.
Japanese-born, Berlin-based installation artist Chiharu Shiota stretches her web-like creations throughout gallery interiors and other structures, almost like a spider herself. The threads or hoses are woven into abstract networks and attached to objects in the room, like pianos and boats. In 2013, she completed a performance piece entitled ‘Earth and Blood’ reflecting a traumatic personal history of cancer and loss.
Horror Vacui by David Zink Yi
A giant squid seems to have been unearthed fro the sea and left on a gallery floor to decompose in a puddle of putrid black liquid. This installation by David Zink Yi, entitled ‘Horror Vacui,’ is made of ceramic coated with copper and lead, the liquid consisting of ink and corn syrup.
Giant Ant Infestations by Rafael Gómezbarros
If you’re creeped out by insect swarms, you might not want to see any of Rafael Gómezbarros’ incredible oversized ant installations in person. Each one measures 20 inches in length. In an interview with Art Media Agency, Gómezbarros explained, “Through the portrayal of this creature which generates so many positive processes in nature, I aim to create a reflection upon the reality in which we live, which is repeated throughout world history: the displacement of humanity and the resulting immigration, especially in the current era of globalisation. For me, immigration is often the result of the internal problems within a country. The immigrant can be represented by the ant, which in turn embodies duality: positive energy that leads it to construct and create elsewhere is juxtaposed by the notion of infestation.”
After part of the roof of St. George’s church in the Czech village of Lukova collapsed in the middle of a funeral service in 1968, locals believed the structure to be cursed, and left it to rot. Whether or not any real ghosts ever haunted its pews, it’s now filled with seriously spooky specters in the form of sculptural installations by local artist Jakub Hadrava.