Like hazy memories or flickers of imagination, architectural structures either long since lost or never built in the first place interact with three-dimensional space in the form of ghostly sculptures, projections or the imprints they left behind on neighboring buildings. Some are tangible yet illusory, made of transparent materials that make them seem like hallucinations, while others attempt to conjure past, fiction and fantasy with nothing but beams of light or smudges of paint left behind on brick.

Ancient Church Remains Resurrected in Puglia

Destroyed by earthquakes in the 13th century, the remains of one of Italy’s great harbor towns are long since abandoned, and only a foundation with a few crumbled stone walls is left to show for a grand early Christian basilica. Italian artist Edoardo Tresoldi raises it from the dead in the ghostly form of wire mesh, giving it a transparent effect that makes it seem not quite real from afar. In fact, the layered mesh creates an optical illusion that makes its Romanesque roof, columns and archways look blurred. This transparency makes it possible to see both the form and shape of the structure and how it interacted with its environment.

“The work of Edoardo Tresoldi appears as a majestic architectural sculpture that tells the volume of the existing early Christian church and, at the same time, is able to vivify, and update the relationship between the ancient and the contemporary,” says curator Simone Pallotta. “It is a work that, breaking up the secular controversy of the primacy arts, summarizes two complementary languages into a single, breathtaking scenery.”

Ghosts of Portland’s Industrial Past

A pair of outdoor sculptures by artists and architects Annie Han and Daniel Mihalyo sketch in vague outlines of Portland’s industrial past along the Willamette River amongst all the new construction. Made of metal mesh and sited near two bridges, ‘Inversion: Plus Minus’ represent the outer shells of ordinary industrial buildings that once existed in the area. If you pass it by without giving it a good look, you might even just assume that it’s scaffolding.

6 Architectural Fossils

The imprints of buildings long gone can often be seen on their surviving neighbors for decades into the future, sometimes giving us an exact outline of their shapes like fossils on adjacent brick and stone. Not only can you see the rooflines, chimneys and outer walls, but often staircases, fire escapes and individual rooms. It’s especially intriguing when bits of wallpaper still stick to the remaining walls: we see the personalities of the individual spaces, triggering us to think about the lives of their former occupants. In some cases, fixtures like sinks, shower heads and toilets still cling to the tile-clad surfaces. Like a cross between architecture and archaeology, these imprints are reminders of a city’s past, and they’re preserved for public enjoyment by the Flickr group The Unconscious Art of Demolition.

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Ghosts Or Architecture Past 14 Fossils Of Fallen Buildings

Looking at photographs of highways entirely eaten by vines and destroyed shops filled with trash and cobwebs, it’s easy to downplay their tragedy by comparing them to the set of a post-apocalyptic film. All of these images of Fukushima, Japan, taken four years after the earthquake and tsunami that caused the local nuclear power plant to melt down, almost seem too shocking to be real. But they are, and photographer Arkadiusz Podniesinski doesn’t want you to forget it. Within the exclusion zone, contaminated by radiation, lies a haunting ghost town with signs of its abrupt abandonment strewn everywhere you look.

If this all sounds reminiscent of another nuclear disaster, that’s part of the point of Podniesinski’s photo series. The photographer has visited Chernobyl a number of times over the past seven years, documenting its deterioration and subsequent reclamation by nature in the hopes that he could help remind the world that it’s human error that keeps causing these events to occur.

“It is not earthquakes or tsunami that are to blame for the disaster at the Fukushima Daiichi nuclear power station, but humans. The report produced by the Japanese parliamentary committee investigating the disaster leaves no doubt about this. The disaster could have been foreseen and prevented. As in the Chernobyl case, it was a human, not technology, that was mainly responsible for the disaster.”

“I came to Fukushima as a photographer and a filmmaker, trying above all to put together a story using pictures. I was convinced that seeing the effects of the disaster with my own eyes would mean I could assess the effects of the power station failure and understand the scale of the tragedy, especially the tragedy of the evacuated residents, in a better way. This was a way of drawing my own conclusions without being influenced by any media sensation, government propaganda, or nuclear lobbyists who are trying to play down the effects of the disaster, and pass on the information obtained to as wider a public as possible.”

See dozens more incredible images and read the accompanying story of Podniesinski’s journey through the Fukushima Exclusion Zone on the photographer’s website.

Hell no, the last residents of Picher, Oklahoma won’t go – even though their town is officially labeled a hazardous waste site, and there are only 10 of them still clinging to the remains of its past. Picher isn’t even considered a town anymore. It’s just a Superfund site dominated by mountains of mill sand and tailings from the old lead-zinc mining fields, with extensive subsurface excavation putting everything in danger of caving in. Municipal activities stopped in 2009, and the vast majority of its residents vacated the town by 2013.

(top image via randylane; above image via claycountypara)

At its prime in the 1920s, Picher had a population of over 20,000, with 14,000 people working in the mines. Between 1917 and 1947 the town produced over $20 billion worth of ore, including more than fifty percent of the lead and zinc used during World War I. But as mining activity slowed down, the population dwindled. Then, the extent of the contamination was discovered.

(image via: wikimedia commons)

Once the mining ceased, Picher essentially became a toxic waste dump for the contaminated water from 14,000 abandoned mine shafts as well as 70 million tons of mine tailings and 36 million tons of mill sand and sludge. At one point, the piles of debris were so high, they looked like mountains dominating the otherwise flat landscape. These piles of mining waste were located right beside neighborhoods, the wind blowing the particles all over everything and everyone. Kids played on those piles of waste, and went swimming in tailings ponds full of toxins. A 1996 study found lead poisoning in 34% of Picher’s children.

(image via: wikimedia commons)

The town was declared the Tar Creek Superfund Site, and in 2006, a mandatory evacuation was announced, with all residents bought out by the State of Oklahoma. The fact that all of that mining had seriously compromised the ground beneath the entire town made it even more dangerous – and then, in 2008, an F4 tornado came along and destroyed 150 homes. Picher is officially uninhabitable, but that hasn’t stopped about ten people from clinging to it anyway.

(image via: marada)

MSNBC reports that six homes and one business remain, even as everything around them is demolished, the final residents insisting that when the Superfund cleanup is complete, Picher will rise again. It’ll take at least thirty years for that to happen, however, since the Tar Creek Superfund Site is just one of four sub-sites within the Tri-State Mining District, all of which continues to contaminate towns throughout Kansas,  Missouri and Oklahoma with toxic runoff.

(image via: marada)

Pharmacist Gary Linderman runs the sole remaining business in Picher, which acts as a social hub for former residents who still travel there to get their medicine despite relocating to other cities. “I think there’s going to be a resurgence in Picher – in time,” says Linderman.

On any given day in Paris, you might see hundreds of thousands of  residents and tourists in the streets. They go in and out of shops, snap pictures next to landmarks, stare in wonder at the opulent architecture. But over 5500 miles away, there is another Paris – a comparative ghost town where the streets stand nearly empty.

Construction on Tianducheng, in China’s Zhejiang district, began in 2007. It was meant to be a luxurious gated community resembling Paris in every way possible. The highlight of the town is its 354-foot replica of the Eiffel tower, but plenty of Paris’ other landmarks have been faithfully recreated here.

There is a major incongruity between one’s expectations for a “little Paris” and what you will actually see in Tianducheng. The streets are, for the most part, entirely empty. There are no throngs of tourists or business people rushing off to their offices. There is a lot of quiet, and there is a fair amount of traditional Chinese culture, seemingly completely out of place in the French surroundings.

The development was built to house 100,000 people and to draw rural families into a bustling metropolitan area. As of 2007, (the last time the population was counted), only 2,000 souls inhabited the gated compound. The population seems to be dwindling, leading local media to refer to Tianducheng as a “ghost town.”

It may seem odd to build a replica of a famous city in a different country, but the developers were working on the idea that Paris was seen as a romantic destination. They felt that Chinese people would want to live in this faux-European environment with its stately townhouses and wide-open courtyards. Several other Western-style towns and communities have been built in China around this idea.

At least in Tianducheng, you are more likely to see empty streets and traditional Chinese agricultural life than the distinctly Parisian pastimes of shopping, strolling, and sipping wine on a restaurant patio. Daily life in the town is documented in the video above.

Work is still in progress in the compound; its expected completion date is in 2015. So the Paris of the East, it turns out, isn’t quite a ghost town – it hasn’t had the time to develop ghosts just yet. In a few years, this now-quiet development could very well be chock full of Chinese residents ready to begin their European-style lives. (Images via: Business Insider and video by Caspar Stracke)