When catching a contemporary Hollywood movie like ‘Blade Runner 2049’ at the theater, it’s easy to assume nearly everything we see is CGI, but a new video from the famed Weta Workshop gives us an inside look at the incredible miniature world they created for the film. They bring Philip K. Dick’s dystopian sci-fi vision of Los Angeles even further into terrifying focus through the lens of director Ridley Scott, showing how the city evolved over the decades that have ensued since the original 1982 film took place.

The city is now blanketed by smog, constant rain and snow from extreme pollution of the entire earth. The Weta design team built upon the original film’s classic aesthetic, making the architecture even more doom and gloom than it was before, and exploring the ways in which the polluted atmosphere affects residents of the city, even at ground level.

Weta artists conceived, built and hand-painted the miniature sets, creating an entire fictional L.A. that’s terrifying and amazing all at once. The centerpiece of the set is the LAPD building, which has come to loom villainously over the rest of the city. The miniature for this particular structure is 16 feet tall, so large and heavy, they had to build it lying down and lift it into vertical position with a chain block.

As noted on Weta’s Instagram, each and every shot of the city (led by cinematographer Alex Funke) “represents many, many hours of meticulous setup and painstaking attention to every detail.”

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A post shared by W?t? Workshop (@wetaworkshop)

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A post shared by W?t? Workshop (@wetaworkshop)

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A post shared by W?t? Workshop (@wetaworkshop)

“During the film’s production, Weta Workshop was brought on to build large miniatures for many of the key environments. The sequences had been worked out in pre-vis, but required a detailed design pass to imbue the environments with life and realism, these concepts were used as a guide for the miniature teams. Extreme weather, tropical storms, and tsunamis are commonplace in 2049, leaving coastal cities destroyed. Mostly abandoned, the cities are now wastelands, occupied only by scavengers and those that were unable to escape.”

From a Star Wars-inspired house in South Korea to a blob-shaped ‘friendly alien’ museum in Austria, these structures make no attempts to hide the sci-fi sources of their inspiration. All 16 of these futuristic buildings are completed or in progress – not just concept art – including flying saucers, pavilions that quiver in the wind, spaceship houses and even murals of Neo from the Matrix in a Buddhist temple.

Faraday Future Campus by MAD Architects

MAD Architects has designed a science-fiction inspired campus for Faraday Future, a company in the midst of producing “the world’s fastest-accelerating electric car.” Set on a former Navy base in Northern California, the campus features a reflective ‘user experience center’ tower that rises above the low complex of buildings. A bridge shoots the customers’ cars right out of the warehouse and into the showroom to meet them.

Star Wars House in Korea by Moon Hoon

The Star Wars House in suburban South Korea by Moon Hoon pays tribute to the film series with its blocky concrete proportions and horizontally banded windows. Inside, there’s a secret room hidden within the shelving water on a wall, and the top floor is conceived as “a control room for the future Darth Vader or Jedi.”

2010 UK Pavilion for the World Shanghai Expo by Thomas Heatherwick

When the renders were released for this incredible pavilion by Heatherwick Studio, many people thought it could never be built as it was illustrated. Its strange blurred form seemed difficult to translate into a 3D structure. But the architects managed to pull off the ‘Seed Cathedral,’ which is made of 60,000 slender transparent fiber optic rods that move in the wind. Each one contains embedded seeds as well as built-in lighting

The United States Air Force Academy Cadet Chapel

Designed by architecture firm Skidmore, Owings & Merrill (SOM) and built in 1962, the United States Air Force Academy Cadet Chapel in El Paso, Colorado mimics the speaks of the Rocky Mountains in which it’s set, featuring seventeen rows of 150-foot-high spires. A steel frame of 100 identical tetrahedrons makes up the base of the structure, enclosed with aluminum panels, the gaps between them filled with colored glass.

The Atomium by Andre Waterkeyn & Andre and Jean Polak

Originally built for the 1958 Brussels World’s Fair, the Atomium stands 335 feet tall, with nine 60-foot-diameter stainless steel spheres connected into the shape of a unit cell of an iron crystal. Five of the spheres are habitable, containing exhibition halls and other public spaces, and the top sphere holds a restaurant with panoramic views of the city.

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Out Of This World Architecture 16 Real Buildings Inspired By Science Fiction

That tongue-in-cheek ‘world’s longest skyscraper’ design we highlighted last week seems totally reasonable compared to a new proposal taking the competition for the world’s tallest structure to absurd heights: The Analemma Tower literally dangles a skyscraper from an asteroid. An actual asteroid, orbiting the Earth. The design is firmly in sci-fi territory, with the renderings resembling matte paintings made for ‘70s and ‘80s movies set in space, but the architects offer details as to how this could actually work.

Clouds architecture Office envisions a space-based supporting foundation, noting that NASA has planned a 2021 mission to capture and redirect an asteroid. Of course, NASA’s budget is up in the air right now, and who knows what’ll happen to the United States’ space-related endeavors by then. The asteroid would be located about 31,000 miles above the Earth’s surface, with the tower using what the firm calls the Universal Orbital Support System (UOSS) to hang the multi-use tower via super-strong cables.

The portion of the tower that sticks up above the Earth’s atmosphere will host an extraterrestrial cemetery, with the three sections below it designated for ‘devotional activities.’ The architects say these portions of the tower wouldn’t be attractive to live in due to “extreme conditions,” though they’d benefit from an extra 45 minutes of daylight each day. The residential area is fairly small in comparison, set just above the garden and agricultural section, an area for offices and business activities, and a transfer station with dining, shopping and entertainment options.

Analemma would get its power from space-based solar panels, with water filtered and recycled in a semi-closed loop system and replenished with condensation captured from clouds and rain. It could be placed in an orbit allowing it to travel between the northern and southern hemispheres on a daily loop, with its slowest trajectory occurring over New York City so people can get on and off. They go into some detail on these technicalities on their website.

“Manipulating asteroids is no longer relegated to science fiction. In 2015 the European Space Agency sparked a new round of investment in asteroid mining concerns by proving with its Rosetta mission that it’s possible to rendezvous and land on a spinning comet. NASA has scheduled an asteroid retrieval mission for 2021 which aims to prove the feasability of capturing and relocating an asteroid…”

“Analemma Tower is a proposal for the world’s tallest building ever. Harnessing the power of planetary design thinking, it taps into the desire for extreme height, seclusion and constant mobility. If the recent boom in residential towers proves that sales price per square foot rises with floor elevation, then Analemma Tower will command record prices, justifying its high cost of construction.”

Not so long ago, we made horror movies about invasive technology that was theoretical at the time, like RoboCop, Christine, Demon Seed and Videodrome. The 2002 sci-fi film Minority Report seemed far-out at the time, but accurately predicted a lot of today’s tech – and its drawbacks. Yet in 2017, most of us shrug our shoulders at surveillance and data mining, because if we aren’t committing crimes, who cares about our inconsequential little lives? Technology has a lot to offer humanity – including the potential to save us from ourselves – but as each new advancement becomes mundane, what are we giving up in return? Indulge your inner conspiracy theorist, if you will, and take a moment to examine how things like insect-sized drones, robotic police and even smart beds can go wrong.

Insect Drones Bug Your Home

Theoretically, bee drones could prolong the future of humanity after we’ve killed off real bees, continuing to pollinate the crops we rely on for survival. That’s definitely a plus. This ‘Plan Bee’ design is just one of several prototypes recently proposed to deal with the problem we’ve created, detecting flowers using ultraviolet light. It’s a great – and sad – idea, but do we really want to grow accustomed to insect-sized drones buzzing around in the air? Engineers have already produced tiny robotic bugs, like these produced by the Harvard Microrobotics Lab, added cameras to them, and sold them to the government for testing. They’re small enough to fly through open windows, and it’s not too far-fetched to imagine them becoming advanced enough to pass as real insects while in flight.

Facial Recognition Smart Phone Apps

A new facial recognition app called NameTag lets you surreptitiously scan your date’s face (just pretend like you’re checking a text and hold your phone between you while seated at a table) and compare it with dating and social media profiles on sites like OkCupid, Facebook and LinkedIn. The value in this is supposed to be in knowing exactly who you’re interacting with and instantly discover what you have in common. NameTag will also scan sex offender registries. It’s undeniably Black Mirror-esque (season 3, episode 1, anyone?), enabling random strangers to do the kind of background checks that employers already perform. It’s a stalker’s dream.

Real Life RoboCop

Imagine this five-foot-tall, 300-pound robot silently zooming toward you in a dark parking garage, fixing its camera lens eye on your face. The K5 Security Robot by Knightscope is designed to detect anomalous behavior, like someone walking through a closed building at night. This particular design uses sensors, cameras and navigation equipment to notify a remote security center of potential threats. If bots like these became widespread, how long would it be before they’re equipped with facial recognition software and even weapons like tasers? Check out the K5’s ominous website.

Smart TV Surveillance

Yes, your laptop camera can be hacked and remotely activated without you knowing. Wikileaks recently revealed that the CIA remotely turns on cameras and microphones on all kinds of devices to spy on citizens. It’s not just a theory, it’s happening. For example, a tool called ‘Weeping Angel’ exploits a technological loophole in Samsung Smart TVs to place the target television in ‘fake-off’ mode, recording conversations in the room and sending them to a covert CIA server via wifi. Do you really think the agency is only targeting suspected terrorists who just happen to own a Samsung? (FYI, if you own one yourself, here’s how to disable the feature that allows your TV to listen to you.)

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Star Wars character Princess Leia, played by the late Carrie Fisher, has been feted in street art and graffiti for a long time in countries far, far away.

While spray-painted graffiti and, especially, stencils have been the most common methods of applying Princess Leia to urban infrastructure, there is another unlikely yet undeniably successful medium: tile mosaics. Since 1998 the secretive street artist known as Invader (after his Space Invaders-inspired style) has applied over a thousand 8-bit tile mosaics in over 30 nations around the world. His economical rendering of Princess Leia, as captured by Flickr user ratskaweiller, looks down from the wall of a building on Paris’ 6th arrondissement.

Maid in the Shades

Flickr user Aaron Kinzer (ascension9studios) captured this vivid triptych of Star Wars characters plastered to a wall in Melbourne, Australia. Yeah, we’d ALL need shades if everyone was really that pink.

Hello Princess

“Most of the characters I created before Lucasfilm and Sanrio lawyers came knocking at my door (no joke),” explains creator Dan Knispel of his Hello Wars character stickers.

Due to their conveniently adhesive nature, Hello Wars stickers have turned up on applicable surfaces ’round the globe. Flickr user Darth Admin captured several such appearances of the Princess Kitty character as shown above.

Graffiti Wars

The revival of the Star Wars film franchise with The Force Awakens in late 2015 sparked a corresponding explosion of relevant street art. You’ll find the expansive multi-artist mural above in Melbourne’, Australia’s graffiti mecca of Hosier Lane. Flickr users City of Melbourne – Official and sherlockedtxh snapped the images above on December 21st of 2015, shortly after the blockbuster film was released worldwide.

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Wars Star Street Art Graffiti Tributes To Princess Leia