Inflatables are good for more than just pool toys and camping beds – they also come in the form of giant tentacles springing from open windows, the world’s largest rubber duck and (literally) gigantic piles of crap. Blow-up buildings can have a practical purpose as mobile architecture, but sometimes, oversized inflatables are just for fun, transforming both interior and exterior environments and bringing shock value to art festivals around the world.
A group of artists came together in the West Kowloon Cultural District of Hong Kong to install oversized inflatable works, including ‘Complex Pile’ by Paul McCarthy, ‘House of Treasures’ by Cao Fei and ‘Sacrilege’ by Jeremy Deller, for an art festival.
Plastic Bubble Environments Transform Interiors
All that’s left of an interior space once these inflatable plastic environments by Penique Productions are put into place is the basic shape and structure of it, all details obscured to create a surreal new environment. The Barcelona-based group inflates massive colorful balloons inside buildings to transform them for special events.
Tentacles, Eyeballs & More by Filthy Luker
French street artist Filthy Luker makes it seem as if gigantic octopi are trying to escape from buildings around the world, and anthropomorphizes trees with inflatable eyeballs.
Inflatable Snow Chalet in Miami Beach
The unlikely sight of a snow-topped ski chalet bobs up and down in the bay beside the now-abandoned Miami Marine Stadium for Art Basel 2013. Entitled ‘Curiosity,’ the giant inflatable structure by Paris-based Galerie Perrotin and French artist duo Kolkoz plays on contrasts. “‘Curiosity’ was the name that was given to the last Mars exploration rover. We have taken this idea of an invader exploring a foreign land and applied it to the snow covered chalet that has set off on a journey and arrived in the middle of a maritime stadium in the hot Florida sun.”